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Wonder Woman comes into conflict with the Soviet Union during the Cold War in the 1980s and finds a formidable foe by the name of the Cheetah. Wonder Woman 1984 2020 review : It isn't as easy as saying 'Wonder Woman 1984' is a good or bad movie. The pieces are there, and there are moments I adore, but it does come across as a bit of a mess, even though the action sequences are breathtaking. If you're a fan of the original film, you'll be more willing to take the ride, but for those more indifferent, it may be a bit of a blander sit. If you can and are planning to watch it, the theatrical experience is the way to go - there is nothing like seeing these stunning sets, fun action scenes and hearing Zimmer's jaw-dropping score like on the big screen. - Chris dos Santos
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The superhero genre has been growing exponentially during the last decade, so it's bizarre to go through an entire year with only Birds of Prey and The New Mutants instead of literally dozens of films from both Marvel and DC. Thankfully, Warner Bros. decided to release Wonder Woman 1984 before the year's end, but not without a catch. Most people will only have the possibility of watching one of the few blockbusters of 2020 through HBO Max, a streaming service only available in a couple of countries, while some incredibly lucky moviegoers might have the chance of seeing this visually epic film in theaters, depending on the country's pandemic rules.
Fortunately, I'm one of those lucky people who got the opportunity to end 2020 on a positively immersive note by watching Patty Jenkins' latest flick in an almost empty IMAX theater (paradise). If you've been following me for some time, you know I'm a firm believer and defender of the so-called "theater experience", and I can't hide the fact that I felt extremely emotional going into one of the best, biggest theaters in Portugal to witness one of my Most Anticipated Movies of 2020. Until 2017, DCEU struggled to deliver a massively loved installment, and Wonder Woman came to the rescue. It was one of my favorite films of the respective year, so I was obviously excited for its sequel, even more having in mind the circumstances we're all living in.
In my opinion, this sequel stands close to its predecessor. With a lengthy runtime known for being associated with absolutely epic movies, I was confident that WW84 could deliver a solid film with great villains for a change. Well, Kristen Wigg and Pedro Pascal are definitely two of the indisputable standouts. Patty Jenkins, Geoff Johns, and David Callaham made the right decision in dedicating a significant portion of the screenplay to Barbara Minerva and Max Lord. Their arcs are far from being groundbreaking, but they're a thousand times more effective than the "CG punch bag" narrative.
Barbara follows the "lonely, insignificant, no one cares about me" archetype, and Wiig does a surprisingly remarkable job in portraying this character, but the script is what really makes her shine. At first, her comedic mannerisms left me a bit dubious about the eventual character's likeness. However, as time flies by, it's almost inevitable to feel sorry for Barbara, making her future motivations understandable and perfectly natural. On the other hand, Max Lord is apparently exploding with conviction, but his life is not as amazing as everyone might think. This time, it's Pedro Pascal who ends up elevating the character, delivering a brilliant performance with just the right amount of over-the-top expressions.
Even though these two are magnificent, Gal Gadot continues to prove that she's one of the best casting choices of the millennium, interpreting Diana Prince aka Wonder Woman. I seriously cannot imagine another actress wearing that costume, throwing that Lasso of Truth, incorporating the character's essence as seamless as Gadot. In this movie, she was able to perform highly emotional scenes, nailing every single one. Her chemistry with Chris Pine (Steve Trevor) is palpable on the other side of the world, and their interactions go through every zone of the emotion spectrum. Regarding Steve, I'm not going to spoil how he comes back or anything concerning his arc, but I can safely write that his presence in the film is both necessary and logical.
The biggest compliment I'll offer this sequel concerns its screenplay and direction. Finally, I can confidently write that the DCEU is capable of producing a well-structured, well-developed story with well-written characters. It doesn't have as much action as the original, but I still didn't feel the 151 minutes. WW84 flows incredibly well due to Jenkins' ability to fill up the runtime (almost) only with important scenes. There's a slight "over-persistence" in the attempt at sending a certain message (I'll get there), but story-wise, I sincerely wouldn't take a second out. Even the comic relief moments, particularly with Pine (who plays some sort of parallelism with the first movie's Diana), are welcome and timely.
The action scenes might be low on quantity, but the few that the audience gets are long, complex, and technically challenging to pull off. The opening sequence alone almost made me tear up due to its epicness. Hans Zimmer's powerful score, Richard Pearson's clean editing, and Matthew Jensen's camera work all work together to present a lengthy, grand, wide view of an Olympics-style obstacle course with young Diana. Throughout the entire film, the action is colorful, vibrant, fun, and entertaining… except for the (supposedly) climactic clash.
Well, to be fair, there are two climaxes during the last thirty minutes since WW84 owns two antagonists to play with. One of them is closed in perfect fashion, with the emotional stakes at their highest. Great job there, no complaints whatsoever. However, the main fight sequence inexplicably contrasts with the rest of the movie's action. The vibrant colors disappear and are replaced by a dull grey, which makes one of the characters involved (who shares the same color tone) hard to notice, transforming an epic final battle into an underwhelming, barely comprehensible collection of awkward cuts, punches, and screams. Gadot's golden suit is way less exciting (and poorly lit) than her original costume, and Barbara's arc ends without real closure.
In addition to this, Jenkins insists too much on passing to the audience that greed brings horrible consequences. "Be careful what you wish for", "money and power can't buy happiness", "be thankful for what you have", and messages along these lines are repeated continuously (implicitly and explicitly). I admit that it might be a nitpick of mine and that not many people will feel like I did, but I couldn't help but feel that some moments sounded and/or seemed a bit preachy and way too repetitive. Also, it's a bit weird how the official premise mentions Wiig as Cheetah, but this word is not mentioned once in the entire film… Nevertheless, don't be mistaken: I'm thrilled that WW84 is the last flick I watch at a theater this year!
All in all, Wonder Woman 1984 proves that DC continues on the track of success by delivering a well-structured, well-developed DCEU installment without an absurd amount of overwhelming CGI and/or forgettable villains. Patty Jenkins, Geoff Johns, and David Callaham's impressively layered screenplay makes the lengthy runtime feel adequate not only by offering epic, exciting, technically superb action set pieces, but also due to the remarkably well-written heroes and antagonists. Gal Gadot and Chris Pine are outstanding together, but Kristen Wiig and Pedro Pascal steal the show as the newcomers. With two wonderful "villains", WW84 boasts a solid, elaborate narrative that I was lucky to witness on the big screen. Unfortunately, the climactic battle is disappointingly underwhelming and colorless, Barbara's arc ends abruptly without true closure, and Jenkins insists too much on the thematic message of the story. These issues may affect more viewers or not, but one thing's for sure: it's one of the most entertaining movies I've seen all year, worthy of being seen on a massive theater.
Rating: A- Gal Gadot returns as Diana Prince in “Wonder Woman 1984” which has seen its release date shift a few times due to the Covid-19 pandemic. The film has started to open overseas and will arrive in the U.S. on Christmas day with a limited debut on HBO Max as well.
The story sees Diana now living in Washington D.C. in 1984. Diana is popular but has refused male companionship as she still longs for her late love Steve Trevor (Chris Pine).
Diana works in the Smithsonian Institute in antiquities and keeps her secret identity under wraps even when a daring mall heist forces her to leap into action.
A shy and passive employee named Barbara (Kirsten Wiig); who is afraid of her own shadow and largely ignored by her peers is befriended by Diana and they discover one item from the heist is inscribed with the ability to grant a wish. Unknowingly Diana wishes for Steve to return and Barbara wishes to be more like Diana which sets a chain of events into motion.
A shady business man named Maxwell Lord (Perdro Pascal) has his site on obtaining the relic as he believes having the ability to grant wishes will allow him to save his failing business and give him the power he craves.
With such a promising setup; the film ultimately does not deliver on its premise and becomes bogged down in drawn out sequences with surprisingly little action and gaps in logic that defy even standards for a comic book film.
The first 90 minutes of the film has roughly 10-15 minutes of action tops and we are instead given lengthy scenes of Steve trying to find an 80s fashion look; flying over fireworks, and Maxwell trashing from one locale to another without much needed continuity.
An action scene involving a convoy chase through the desert seems very inspired by “Raiders of the Lost Ark” and ultimately does not deliver especially with such a long gape between the action sequences.
The final act does attempt to redeem the film as seeing Barbara transform into her new persona is interesting and Wiig does a very solid job with the role. This sadly is undermined with a single line of dialogue which takes away a big part of the transformation that audiences deserved to see.
There was also a sequence where Diana races down the streets and takes to flight with her Lasso and then discovers she can fly like Superman. Not only is this not in keeping with the character; but we see this extended fast moving sequence where she is clearly heading away from D.C. at great speed only to arrive at a destination with an item which had been established to be back at her home in D.C. It is this sort of sloppiness that really detracts from the film. There is also the fact that Steve has to fly her around on a jet that even as a pilot he should not know how to fly as he has never flown a jet aircraft in his life.
When the big confrontation comes it is a letdown as it is not overly epic and the CGI really does not seem to mesh. What is an even bigger disappointment is that a certain character stands emoting for several minutes while Diana gives such a bland and extended speech that even my wife had to ask “who wrote these lines”.
The film was not a total disaster as the characters were interesting and worked well with one another making the film entertaining in parts despite being really disappointed with it.
The film strikes me as a product of the talented Patty Jenkins being able to do whatever she wanted after the success of the first film. Jenkins not only Directed but did the screenplay for it. Considering the amazing job she did writing “Monster” I had high expectations for the film but to me it seemed like it could have used a bit more attention to several aspects.
My summary would be the following… good cast, entertaining in parts, not much action over two hours, takes huge liberties with Diana and her abilities, massive gaps in logic even for a comic movie. It aims to be epic and comes up lacking. At least the mid. credit scene was worth it.
3 stars out of 5 Heroes are only as good as their villains. Nothing sums up the disappointment of WW84 more than this.
Maxwell Lord & Barbara Minerva are two of the most dangerously dark psyches in DC lore, both fond of extremely nasty, deliberately sociopathic behavior.
Whoever it was pretending to be them in WW84, it wasn't those two from the comics.
We had some namby-pamby twerp called "Max Lord" who was just a misguided fool trying to fill that emptiness in his pathetic life with a magic dream. Yawn.
Also, some good-hearted ditz called "Barbara Minerva" basically became inadvertent collateral damage whilst Lord's dopey plan panned out. Admittedly, that's vaguely similar to one of Cheetah's later origin stories, but it completely discounts her propensity for choosing the pure evil path.
It could have been fun watching a proper mind-controlling Lord and a proper soul-possessing Cheetah fight over the "ownership" of some red shirt. Alas, no.
What an absolute WASTE of two A-grade narrative heavyweights! But then, that's the problem.
You simply could NOT use characters like Lord & Cheetah appropriately in a movie targeted towards a family audience, and it's obvious that "make this family friendly" was plastered all over the script in red sharpie.
Nothing's likely to change for the third WW installment, where, in keeping with the cinematic PG-downgrade of supervillains, Circe is portrayed as a lonely kid's party magician who gets angry when her balloons get popped, so she turns everyone into pet unicorns. This movie is dumber than it should be. In short: it looks fantastic and the action is in perfect WONDER WOMAN style. The problems are with the plot, the attention to detail and coherence. I'm not saying this movie should be more realistic, but a lot of the decisions just don't make any sense and it is loaded to the brim with cliches (eg. ugly duckling that is not ugly at all). If you expect something to happen, it will 100%, there is no try to dig deeper - it is always the most obvious and easiest solution. Especially the all solving "action" of Diana, is more than questionable and leaves so many plot-holes.
If you don't care about logic (not realism) or a challenging story this movie is perfect for you... Do not trust the reviews before Dec 25th 2020 they are bought and paid for early release reviews, this movie is bad real bad, bad CGI and horrible story shame really the first one was amazing but Patty Jenkins should just stick with directing she is just not a good writer. 1984, a sequel to the fantastic "Wonder Woman", which showed a cool breeze in the middle of a saturated superhero cinematic market, is a fantastic continuation of the story of our favourite super heroine. Lighter in action, but thematically profound, this may not be a film that pleases everyone.
Let's start with the positives: Gal Gadot, as a wonder woman, continues to prove to be the perfect choice to play the part. The actress maintains a strong bond with the audience , really showing all the strong emotions that the character feels during the course of the story. Without her, the film would lose something really essential: her soul.
The story, thematically linked to greed, our deepest desires and selfishness, provides a journey of development for the characters that makes us reassess certain attitudes taken throughout our lives. The story seeks to develop each of the characters, and this is what gives it so much strength.
Chris Pine, as Steve Trevor, is also one of the film's high points, and his chemistry with Gadot remains explosive, providing the film with an engaging romance that will make anyone feel warm inside.
The film is completely different from the first, its style is radically changed, becoming lighter, like a cartoon we watched on Saturday morning as children. For some, dramatic stylistic change may be a negative factor, but in a year of so much suffering, lightness and hope are exactly what we need to abstract ourselves from real life for two hours.
When it comes to action, the film is not as explosive as first, it is contained and the action sequences, though incredible, are scarce. In a two and a half hour film, this may entice some to feel bored. But in my opinion, the film never slows down because of the incredible characters and their interactions.
As far as the most negative points of the film are concerned, I would say that the rope of suspension of credibility is really stretched during the duration of the film and we are asked to accept really ridiculous things that come out of nowhere. The film is also very cheesy, with sequences that can be considered lame and dull.
All in all, however, this film is a glimmer of hope and joy in a dark and desperate year. I strongly advise you to watch it, it's two hours of fun, with no problems and smiles in the mix. Although not perfect, and inferior to the first, this sequel is worthy of the adjective "Wonder". Wonder Woman 1984 is solid where it counts, maudlin in the way its fans need it to be, and, similarly, just funny enough to be charming. For all that goes unsaid, the writing is even occasionally clever. **This movie was horrible... and I realize this isnt my genre..but I sat at Christmas and watched it with my 2 grand daughters as they were sooo excited to see it..and we literally ALL hated it... The movie itself is pointless with alot of dialogue that means nothing... no real build up to anything.. If you have to use an entire 2 hours to "explain" a character your probably doing something wrong..
Was SERIOUSLY disappointed in ALL the actors in it..Particularly the guy from the Chapo Netflix series.. his character was HORRIBLE... and if I am being honest..I am not impressed with this woman they have chosen as WW... not in slightest.. extremely odd looking and well... I didnt even find her acting chops good for a film like this...
It was so bad we lasted about %80 of the film befoe we stopped it and started the older one.. I'm not a fan of this actess nor this take on WW at all... ** I have read the book "1984" and saw some aspects of the book in this movie- Big Brother, Group Think etc. The moral dilemma that Wonder Woman faces is truly heart wrenching. But as for the rest of the movie, there were some good action scenes and great CGI.I did notice that of all the great nations affected negatively, there was one significant one missing, China. Why would China have been left out of the turmoil affecting the rest of the world? Were the makers of the film afraid to show anything negative about China, but were willing to show other nations in a type of stereotypical light? The depiction of the President of the US, who in 1984 was actually Ronald Reagan, was shown to be an insecure and to be overly ready to shoot off the nuclear warheads. They never called him by name, but the dark hair and the jar of jelly beans were obvious who they were portraying. The hair of the villain of the movie and his ever growing quest for power were subtle clues for another person that Hollywood has deemed a power hungry demonic person. Ironically, the villain uses the same medium to spread his mental suggestions as the media uses to influence us to theirs. The definite political agenda ruined some of my interest in the movie but as eye candy and brain numbing entertainment it fits the bill, They leave the possibility of a prequel or sequel open in scenes at the end - after the credits
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Title : Bill & Ted Face the Music Bill & Ted Face the Music genre : Comedy, Science Fiction, Adventure Bill & Ted Face the Music crew : Steven Soderbergh, Mark Isham, Shelly Johnson, Keanu Reeves, Ed Solomon, Ed Solomon, Scott Kroopf, Dean Parisot, Don Zimmerman, Alex Winter Bill & Ted Face the Music release date : 16 May 19 9 5 Bill & Ted Face the Music runtime : 92 Minutes Bill & Ted Face the Music Crew : Steven Soderbergh, Mark Isham, Shelly Johnson, Keanu Reeves, Ed Solomon, Ed Solomon, Scott Kroopf, Dean Parisot, Don Zimmerman, Alex Winter Bill & Ted Face the Music movie cast : Keanu Reeves, Alex Winter, Kristen Schaal, Samara Weaving, Brigette Lundy-Paine, William Sadler, Anthony Carrigan, Erinn Hayes, Jayma Mays, Hal Landon Jr. ========================ஜ۩۞۩ஜ==========================
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Yet to fulfill their rock and roll destiny, the now middle-aged best friends Bill and Ted set out on a new adventure when a visitor from the future warns them that only their song can save life as we know it. Along the way, they are helped by their daughters, a new batch of historical figures and a few music legends—to seek the song that will set their world right and bring harmony to the universe. Bill & Ted Face the Music 2020 review : It has been 29 years since Bill (Alex Winter), and Ted (Keanu Reeves) took their Bogus Journey and after years of rumors and scripts; “Bill and Ted: Face the Music” has arrived. The film like many others had to contend with the Pandemic and opted for theatrical release where allowed and Video on Demand. Some chains have opted not to carry the film due to the simultaneous release on VOD but viewers can now see the film.
Bill and Ted find themselves struggling to make Wyld Stallions a success as after starting out with a #1 hit; subsequent offerings were largely ignored by the public which caused them to slide further into mediocrity and have family suggesting that perhaps it is time to give music up and get real jobs.
Their inept career has also caused tension with their Princess wives and they have gone to couples counseling although to the dismay of their therapists Bill and Ted insist that all four members take part at the same time.
The only thing going well for the two are their daughters Thea (Samara Weaving), and Billie (Brigette Lundy-Paine) who truly are chips off the block and not only embrace their father’s offerings but are inseparable themselves.
When a courier from the future (Kristen Schaal), arrives and takes Bill and Ted into the future they learn that they are in danger of failing their destiny as the Universe is falling apart and they have yet to write the song that will save the universe and have only 77 minutes to do so.
The duo then decides to travel to the future in their old Phone Booth and take the song from their older versions. Naturally this does not go as planned and Bill and Ted find all sorts of disturbing versions of themselves and precious little to help them achieve their destiny.
Sadly after the setup the film loses momentum fast and becomes a series of what new and crazy look and personas can Bill and Ted be put into with some very laborious pacing as it seems more like a series of improve sketches than a scripted film as scene after scene fail to go anywhere of note and joke after joke does not deliver.
It almost became tedious watching the second half of the film. There was a killer robot thrown in but it did little to advance the story forward beyond being a token bad guy and becomes annoying as the film goes on. Thea and Billie take on the role of their dads from the first film and gather a collection of musicians from the past in order to back their dads but the entire finale falls flat. What really bothered me was that the film in many ways undermines the two prior films as it was clearly established that the music of Bill and Ted was their legacy; not one specific song and the way it is ultimately revealed is very underwhelming and reduces their significance.
It was nice to see the duo back but sadly the film cannot build upon nor sustain the solid premise it establishes. In the end “Bill and Ted: Face the Music” has a few laughs and some fun nostalgia but disappoints and does not reach its potential.
2.5 stars out of 5 www.sknr.net Like its message, 'Bill & Ted Face The Music' is for everyone. If you didn't watch or like the originals because they were “crude“ or “dumb“, while this movie still has those moments, it has been toned down. If you're a die-hard fan, this will fill your hunger for content as well as serve as a beautiful conclusion to the characters. Even if you've never seen the originals, I highly recommend it to everyone: it's rated PG so literally (while socially distancing) take the whole family, have an truly excellent and much-needed laugh, and enjoy the so totally rad music.
Bill and Ted said it best: “Be excellent to each other and party on, dudes!“ - Chris dos Santos
Read Chris' full article... https://www.maketheswitch.com.au/article/review-bill-and-ted-face-the-music-the-totally-excellent-most-bogus-return-of-80s-icons While Bill and Ted haven't changed over the years, their daughters are just like them!
This movie was just EXCELLENT! I mean, sure Reeves looked weird without his beard, but it was totally RAD to see him and Winter reprising their iconic roles. It really was just awesome. Made me feel all positive after. And the final scene...truly the greatest song ever performed! It just makes you forget about all the recent crap that happened this year.
The most entertaining movie of 2020. *doing the iconic Bill & Ted pose*
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Reaptown synopsis Reaptown the movie showtimes online 2020 Reaptown song, Watch Reaptown full movie online now.In this supernatural horror film, Carrie Baldwin is freed from prison under the conditions of a work-release program in Reaptown, Nevada. As she struggles to find her missing sister while working the night shift as a security guard for the Reaptown Railway Museum, Carrie soon finds herself in the presence of evil. Could the Railway hold the clues to her sister's mysterious disappearance?,what are Reaptown movies in order Reaptown synopsis full movie Reaptown 2020 HD Movies, Full Length Movie ========================ஜ۩۞۩ஜ==========================
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Title : The Lord of the Rings: The Two Towers The Lord of the Rings: The Two Towers genre : Adventure, Fantasy, Action The Lord of the Rings: The Two Towers crew : Barrie M. Osborne, Howard Shore, Christopher Boyes, Peter Jackson, Peter Jackson, Peter Jackson, Bob Weinstein, Harvey Weinstein, Mark Ordesky, Michael Lynne The Lord of the Rings: The Two Towers release date : 18 February 19 1 3 The Lord of the Rings: The Two Towers runtime : 179 Minutes The Lord of the Rings: The Two Towers Crew : Barrie M. Osborne, Howard Shore, Christopher Boyes, Peter Jackson, Peter Jackson, Peter Jackson, Bob Weinstein, Harvey Weinstein, Mark Ordesky, Michael Lynne The Lord of the Rings: The Two Towers cast : Elijah Wood, Ian McKellen, Liv Tyler, Viggo Mortensen, Sean Astin, Cate Blanchett, John Rhys-Davies, Bernard Hill, Christopher Lee, Billy Boyd ========================ஜ۩۞۩ஜ==========================
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Frodo and Sam are trekking to Mordor to destroy the One Ring of Power while Gimli, Legolas and Aragorn search for the orc-captured Merry and Pippin. All along, nefarious wizard Saruman awaits the Fellowship members at the Orthanc Tower in Isengard. The Lord of the Rings: The Two Towers 2002 review : Peter Jackson has always maintained that The Two Towers is "the second act" of his epic undertaking, and perhaps the true greatness of the middle chapter will only be clear when viewed in context. As a stand-alone film, however, The Two Towers is not quite as good as Fellowship. (Nor, indeed, does it extend the universe or deepen the relationships in the manner of The Empire Strikes Back.) That it still merits the full five stars is merely an indication of how high the benchmark has been set.
Picking up pretty much where Fellowship left off, this is a considerably darker film, with Frodo (Wood) falling further under the influence of the Ring (giving rise to some seriously spooky hallucinations), while Saruman (Christopher Lee) wreaks even more havoc. There's also the first appearance of Saruman's spy, the sinister Wormtongue (Brad Dourif), and the complex Gollum, a brilliant combination of computer trickery and raspy vocals from Andy Serkis (the campaign for a Best Supporting Actor Oscar starts here).
Other newcomers include Faramir (David Wenham), the understandably miffed brother of the recently deceased Boromir, and Éowyn (Miranda Otto), who spends much of her time casting winsome glances in the general direction of Aragorn (Mortensen). Eventually the plot complexities become more coherent, setting the action up for the forthcoming finale, The Return Of The King.
As we've come to expect, this is spectacular stuff - from an opening which sees Frodo troubled by dreams about the demise of Gandalf, through to the climactic Battle Of Helm's Deep, which is nothing short of breathtaking. But Jackson cleverly tempers the louder, brasher sequences with some heartstring-tugging moments - peasants despondent as they are forced to abandon their villages, Aragorn and Arwen's troubled relationship, and, of course, the return of Gandalf (Sir Ian McKellen, superb as ever), one of the film's most powerful, memorable images that may well leave Ring devotees a little misty-eyed.
However, those who still believe that the trilogy is beyond criticism may find their views challenged by The Two Towers. It's just as long as the first film, but gets the heroes no closer to a final victory. And, where the first movie developed its emotional tone from the brightness of The Shire to a darker climax, the sequel is more of a one-note affair, shadowy in both look and content.
This is particularly true of the Ringbearer's quest, which adds the not-insignifcant Gollum to the party, but suffers more than the other story strands from the cross-cutting and finishes with a nearly identical pep talk from Sam to the tearful speech that climaxed Fellowship. Of course, given the nature of the material, and Jackson's desire to be faithful, this is all understandable. And by the time we all end up under siege at Helm's Deep, it's unlikely anyone will give a toss about narrative arcs: like Gollum, this is simply gob-smacking, mind-blowing, never-seen-before stuff.
Verdict - It may lack the first-view-thrill and natural dramatic shape of Fellowship, but this is both funnier and darker than the first film, and certainly more action-packed. An essential component of what is now destined to be among the best film franchises of all time.
5/5
- Caroline Westbrook, Empire Magazine That Damned Ring.
RELEASED IN 2002 and directed by Peter Jackson, “The Lord of the Rings: The Two Towers” adapts the second part of JRR Tolkien’s popular fantasy trilogy about adventures on Middle-Earth. The surviving ‘Fellowship’ of the first film has been divided into three small groups for this one: The Hobbits Frodo and Sam (Elijah Wood and Sean Astin) team-up with the mad Gollum (Andy Serkis) to make their way to Mordor, but are captured by Faramir (David Wenham), the brother of the deceased Boromir. Aragorn (Viggo Mortensen), Legolas the Elf (Orlando Bloom) and Gimli the Dwarf (John Rhys-Davies) encounter the once-great King Theoden (Bernard Hill), who has fallen under the spell of Saruman (Christopher Lee) via his devious minion Grima Wormtongue (Brad Dourif). Meanwhile the Hobbits Pippin and Merry (Billy Boyd and Dominic Monaghan) try to enlist the help of huge tree creatures. Gandalf is also on hand (Ian McKellen). These story threads culminate in the great Battle at Helms Deep in the third hour.
This three-hour fantasy/adventure starts out more engaging than the first film, which was laden by its overlong, convoluted and (for the most part) unnecessary prologue. Like that movie, the characters are colorful, the tale is imaginative, there’s a lot of brutal action rounded out by quieter moments and everything LOOKS and SOUNDS great. Unfortunately, after the first act, Jackson opts for CGI porn (excessive use of CGI with the corresponding dizzying visual effects). The first film did this too, but this one ups the ante and so there’s not as much spectacular New Zealand cinematography (i.e. real forests, mountains, rivers, etc.). If cartoony CGI is your thang then you’ll likely appreciate this installment more than me.
There are other problems: While the characters are imaginative, they’re also shallow and rather dull, at least for mature people who require more depth to maintain their interest. Also, the wide-spanning (meandering) story with numerous characters and hard-to-remember names tends to be disengaging. I was never much captivated by the characters and their causes, although uber-fans of Tolkien might be.
Another problem is the lack of prominent female protagonists. We have Miranda Otto as Éowyn, Théoden's niece, who falls in love with the noble Aragorn and that’s about it, except for cameos by Liv Tyler as Arwen and Cate Blanchett as Galadriel. “Mythica: A Quest for Heroes” (2014) cost LESS THAN $100,000 to make, which is a mere fraction of the $94 million it cost to make this blockbuster and the filmmakers knew enough to include a couple of prominent babes as key protagonists in the story.
Despite these negatives, “The Two Towers” was an ultra-ambitious undertaking and is a must for fantasy/adventure aficionados who liked the first movie.
THE MOVIE RUNS 2 hours 59 minutes and was shot in New Zealand.
GRADE: B-/C+ Still probably my favorite of the three, while it's pretty streamlined and far more action centric with little development compared with Fellowship of the Ring and Return of the King, I always find this one really entertaining with the Helm's Deep battle. **4.5/5**
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