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A woman, accidentally caught in a dark deal, turns the tables on her captors and transforms into a merciless warrior evolved beyond human logic. Lucy 2014 review : There is no excuse for basing a screenplay on taking seriously a well known urban myth and writing it as if the audience believes the myth.
Did no one up the entire production line step out and call bullshit on the discredited 'we only use 10% of our brain,' idea? I am so embarrassed by seeing actors I admire, Scarlett Johansson and Morgan Freeman, deliver solid performances on the basis of an idea at which most people laugh. I've also struggled to appreciate several o Luc Besson's movies but this is is by far the worst one.
A lot of jibber-jabber bullshit with sexy Scarlett Johansson, lots of FX, predictable ending in Paris and a pointless car race on its streets.
Better spend your time on something else ... Ignorance brings chaos, not knowledge.
Lucy is one of those films that brings about furious reactions, it is after all a science fiction type action thriller. They always divide film fans right from the off. It's a film that to all intents and purposes needs to be viewed just as a cinematic experience, as a piece of popcorn fodder that may try to be something more cerebral, but ultimately is a daft - but hugely fun - piece of film.
Luc Besson writes and directs a film that sees Scarlett Johansson duped into being a drug mule, with the transportation of drugs sewn into her abdomen. It's a new drug, boy is it a new drug, and when things go belly up and the drugs are unleashed into Scarlett's system, she's a threat - or hope - to mankind.
It can be, and has been, called pretentious et al, such is the science factor, which is perfectly understandable, so any hope of tight science fiction musings will only end up in a crushing disappointment. Undeniably Besson and his backers thought they had something to say, to open up the film watchers' minds to something deep and probable, to be relevant and viable. But unlike the makers we the viewers didn't have access to donepezil, so we sadly couldn't all turn into Bradley Cooper and be limitless in our viewing capabilities.
Personally, it's a rollicking fun film for two thirds, when it's about Scarlett kicking butt, a revenge driven babe, it grips and shakes all the genre compliant cinematic senses. The ending, the grand finale, infuriated me, and by the looks of Morgan Freeman (coasting for easy money), he was also a little frustrated. But I had fun, yet on the flip side if anyone fronted me up and said they hated the film with a passion? Then I would understand and take them home to play with my chemistry set. 7/10 A lot of people appears to have gotten into some hate-mode when watching this movie. I guess they did not check up what the movie was really about before watching it. The movie is not perfect, it has its flaws, but a 1 or 2 star bullshit rating is hugely unfair. Personally, I really liked this movie. It is science fiction, pure and simple. If you expect science without the fiction, well then you should go and see some other movie. With Luc Besson both writing and directing and statements like “merciless warrior evolved beyond human logic” in the blurb … well I got pretty much what I expected.
The movie starts off making you think it is a “simple” revenge story with science fiction elements in the form of the superhuman Lucy. However it gradually evolves into something else. Lucy knows that she cannot survive in her new state and it becomes a quest to preserve the knowledge that she has acquired while she still has the time and at the same time dodging the drug dealers that are the cause of her situation in the first place.
Lucy is great. Her powers and how they develop are awesome. I really like surprise effects in movies and books of the kind that you get when someone like Lucy reveals her powers to the “mundane”. Especially when the revealing means swatting a few bad guys. This movie is full of moments like that. It is quite a roller coaster ride of action with Lucy exhibiting her growing powers. Not too surprisingly the movie is also full of scientific bullshit and plot holes. I do not really care. I’m in for the ride and it is a fun ride.
Scarlett Johansson is very good in her role as Lucy. Most of the other actors are ok although the Asian drug boss could have been better. He came out more like a brainless thug than anything else. Certainly not as the mastermind of a criminal organization.
The ending was a bit unsatisfactory compared to the rest of the movie though. I was a bit disappointed that the big fight at the end more or less was done without Lucy. The long cinematic sequences where Lucy wondered about in time and space felt a bit like yawn-filler-material. The actual ending, well that “I am everywhere” bit was really been there, seen that, done that. Also, if she was indeed everywhere, why the hurry to create that fancy memory stick?
Anyway, apart from that I really enjoyed this movie. _**Time to GROW UP**_
"Lucy" (2014) is about an average hot babe named Lucy, played by Scarlett Johansson, who increasingly taps into her mind's full capacity and, consequently, acquires superhuman powers (or are they just fully-human powers?). She hooks up with the leading expert on the human mind (Morgan Freeman) to share her discoveries and also teams-up with a Paris police captain (Amr Waked) to destroy the malevolent schemes of an arrogant Asian mob boss (Min-sik Choi).
It should be emphasized that this is not comic book superhero movie (Don't we have enough of those yet?), it's an ordinary-person-reaching-full-human-potential movie. There were two of these in the mid-90s, "Powder" (1995) and "Phenomenon" (1996). They're both good, but the latter played it too safe, particularly at the end, while "Powder" reached for greatness and got a finger in. Francis Ford Coppola added his take on the genre with 2007's "Youth Without Youth," a dense film with many interesting elements; too bad he forgot to include an entertaining story.
"Lucy" is the best of these and is, in fact, one of my all-time favorite movies. "Lucy" includes the mindfood of Coppola's film, but doesn't forget to be entertaining. As such, the film mixes interesting, inspiring elements with thrills, action, eye candy and ear candy (a notable score). On top of this, "Lucy" is stylish and "hip," whatever that means; in other words, it's got pizzazz.
Some complain that the film is flawed because it's based on the notion that we only use 10% of our brain power, but this is only a plot device to illustrate that most people are functioning way under their potential and are obsessed with usually worthless things and blowing precious time accordingly. Take, for instance, the people who blow hour upon hour of valuable time watching sports. Viewing a game here or there is great, but these types have lost all sense of moderation. Or how about those who feel they have to numb themselves with alcohol or drugs just to have a good time? They're, in essence, running away from reality.
What's funny about this criticism that the film's based on humans only using 10% of their brain power is that, in most cases, the number's more like 1-2%. Lol, just kidding. (Or am I?)
In regards to Lucy's powers illustrated in the film, and the other films noted above, I've had my own run-ins with such phenomena. For instance, about seven years ago I was in bed having an intense dream when my wife burst into the room to wake me up. The smoke alarm outside the door was blaring like crazy, but there was no smoke or fire or heat. The potent energy evoked by my dream obviously set it off because, as soon as I awoke, it suddenly stopped. If there was any doubt, the same thing happened the next week. What can explain this except the untapped power of the mind and focused energy?
Another example comes to mind, albeit different: when I was around 8 years old my family and I were walking the trails of Theodore Wirth Park in Minneapolis when we came to the edge of a baseball field. As soon as we entered the outfield somehow I just knew that the current batter was going to hit the ball and it was going to hit me right in the face. I knew this but I didn't know how I knew it. I just knew. Next thing you know the batter hits the ball high into the air -- it was like slow-motion -- and it came and hit me right on the cheek! (Good thing it was a softball, huh?). How did I KNOW this was going to happen? I don't know, but it's pretty amazing and it shows the power of the mind and spirit to warn us, which some call intuition.
Less spectacular is something that I experience every day with my wife: One of us will be thinking something and give voice to it and the other says, "I was thinking the exact same thing." What's going on? We're picking up each other's immaterial thoughts, otherwise known as telepathy. What if we developed this further? Other paranormal phenomena featured in the story include psychokinesis, extraordinary empathy and what the Bible calls "the word of knowledge." Although they're exaggerated in the film, they're REAL.
"Lucy" is inspiring in that it's an encouragement to GROW UP. As Lucy evolves she stops at her apartment and runs into her roommate, who's the typical bimbo party girl who spends too much of her free time "partying" and pursuing a "cute guy with nice buns" (or however she puts it). Not that there's anything intrinsically wrong with these things, except that these people obsess over them and they become their PURPOSE for living. Whatever happened to "All things in moderation"? The beginning of the movie shows that Lucy was just like her roommate but something happened and... she GREW UP.
My praise of the movie's philosophical and theological ideas shouldn't be interpreted to mean that I agree with every jot and tittle. It's a sci-fi/thriller blockbuster, after all; it's just that this one has more interesting ideas than most. Secondly, who agrees with everyone about everything? Is that even healthy?
Needless to say, I love "Lucy"!
The film doesn't wear out its welcome at a mere 1 hour, 29 minutes, and was shot in Taiwan, France and a German airport.
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The adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage. Interstellar 2014 review : Well, one off from two of this year's most expected movies alongside 'The Battle of Five Armies'. Like all the Chris Nolan fans, I was equally excited to see the movie on the opening day opening show. But I slightly disappointed that it was not a digital 3D film. I agree, this science-fiction was more dramatized than usual space travel stories does with an adventure-thriller. Almost a 3 hour long stretch movie did not waste much time to take us to the core of the story. Get prepared for this extremely rare voyage into the space with a logical explanation for everything you see on the screen. Well done research for the most matured and intelligent writing. All the credit must go to Nolan brothers. A good sign from Jonathan Nolan, who can make big in the entertainment industry in a future like his brother.
As we know many had liked 'Inception', to me that was a simple multi-layered action movie, that's all. But the same stuffs that used in this film makes sense. In fact, you have to have a little knowledge over how the universe works, so then it will be easy to catch the scene and situations while watching the movie. Totally like a documentary style concept, but with the additional stuffs like characters and its emotions add flavor that gives a movie look. An educational movie, though it also can work for those who wants just entertainment. Only the slow movie pace would test their patience.
It all begins like Shyamalan's 'Signs' movie with a family living surrounded by corn field. Then switches to 'The Astronaut Farmer' and going through 'Gravity', finally meets the 'Inception'. It was just a reference to call the movie setting that brings constant change for every half an hour. Like the opening scene and the end scene had over a 100 years difference.
As I earlier said it was the story of a family alongside the future of humankind and decoding universal mysteries through travelling in space and time. This movie would a reasonable for those who thought '2001: A Space Odyssey' is a boring piece, Cleverly written cinematic piece especially for science geeks. I don't know how perfect the movie to the actual present astrophysics, but will justify for the common people's capacity of understanding with an encourageable amount of commercial elements in it to entertain as well.
The first three quarters of the movie was well made. It puts me in a unblinkable position like a story was narrated by Brian Cox in a television series. Like I said, lots of astrophysics involved in it, but strangely human emotions were also exhibited equally that I never expected one from Nolan film. It was not an ordinary sentiment, but was strong enough to make a man cry for happy and sad situations in the movie. I liked science and emotion coming together. In fact, it saved the movie, otherwise it would have been a science documentary straight from NASA production through Nolan direction.
There are many surprise elements in the movie and of course there is a twist at the end. We can call it a series of twists like the layers. Compared to last quarter of the movie to the rest, it completely detaches which opens broadly to the different directions. And that happens so fast rushing towards the other end. Which give an impression of the movie 'Inception'. In a perfect way to say the first 75% was 'The Tree of Life' and the remains are 'Inception'.
‘‘This world's a treasure, but it's been telling us to leave for a while now.’’
All the actors were so good. Matthew McConaughey steals the show as he dominates the majority of the screen space in the story presentation. There's no ruling out the fine performance executions from Anne Hathaway and the young star from the Twilight movie, Mackenzie Foy. The remaining cast was having less scope which were like the guest appearances that was widened a little broader, but was perfectly fitted for the story. Especially Matt Damon's was the crucial one.
Remember the movie 'Contact', a lovely movie, which was ruined by its fictional ending. Something like that happened in this film as well. The story was initiated with a realistic approach with actual scientific contents as per the present understanding about the universe. But the end was let me down with the layered contents that kind of impossible to agree with it. As a cinematic theme it worked, yeah, a good solution for this wonderfully written story. We know that the time can't run backwards, so that's the trouble.
Anyway, this movie defines in a new way, I mean scientifically the existence of ghost. It was not a horror movie, but I liked supernatural force that merged with this science fiction theme. That explains and gives vast ideas to expand our physics beyond something and somewhere yet to reach. Hats off to the director, because he was not thinking of making money here. His idea was to implement what the humans are understood so far about the cosmos. And he very nicely transformed those into the silver screen with the blend of human emotions. In my opinion, this will replace '2001: A Space Odyssey' for sometime till another one make this way.
I could have not asked a better space travel drama than this, especially when I heard Nolan doing a science-fiction I believed he gonna rock it. He was so true to the science and the human feelings in this film. If you had seen enough movies before like this one, you can recall your memories like the Tom Hanks parts from 'Cloud Atlas'. But still independently stands strong and falls in a never seen before category.
‘‘Maybe we've spent too long trying to figure all this out with theory.’’
The end scene leaves a hint of a possible sequel. I would be happy if that happen in a near future, but definitely that would be a completely different cinema as per how this one ended. I know his fans want that to happen and so am I.
The visuals were not that great, but simply very good. To see those in digital 3D would have given us a different experience, sadly Nolan was not in favor of that technology. Hoping this movie would get as many as the Oscars nod. Especially not getting into the best motion picture shortlist would be a shame. Like I said I'm no one fan, I just love watching everyone's every movie. I would have went to see it again if it was converted into digital 3D, since I'm modern tech geek when it comes to the films.
It will become a talk of the week, perhaps month all over the world, so don't leave behind when your friends talk about it. What I gonna say is it is a must see asap if you are a movie fanatic like me otherwise Nolan movies does not need anyone's recommendation because his movies usually sell itself like the hot samosa. People seem to think that if you enjoy a Christopher Nolan movie, you are a fanboy and the film couldn't really be that good. That is not true. He has never made a bad movie, Insomnia is probably his worst and it is still an excellent movie. Interstellar is up there in his top 3, with The Dark Knight being number 1 and Inception in number 2. I don't think he will ever make a better movie than The Dark Knight, it is without a doubt a masterpiece of cinema in my opinion. It can be enjoyed on so many levels. I remember seeing Interstellar in the movie theater and being on the edge of my seat the whole time. It was breathtaking but the end left me confused so i walked out disappointed. Since then i have watched it many times but it only took a second viewing to realize what a great ending it is and here is why. How many people discuss the end, was the wormhole open or closed for him to make it to Brand, what happens next, is there a sequel. I discuss this with people who hate the movie and the debate will still last a good 30 minutes if not more without getting heated. It is a wonderful story told through the eyes of a genius film maker who deserves more than he receives, an oscar would be nice start. I read hat his next movie is to be released in July 2017, I can't wait to find out everything about it like i have since he began. If you're unsure about Christopher Nolan, watch his career from the beginning starting with Doodlebug. Another grandiloquent movie from Christoper Nolan.
The cast is good, and McConaughey performs a role made for himself. The photography is very nice but the movie commits all the same mistakes than previous Nolan's movies. I think mistakes but it may be that they are the points Nolan fans enjoy the most ...
* The story makes you believe it is a realy deeply thought plot but, in the end, it has so basic mistakes and stupidities that make it nonsensical. * There is a general ambience of every moment being epic; deep, solemn and smart dialogues but, at some point our highly trained engineer and pilot behaves really stupidly. * To keep the mentioned constant feeling of being in an epic moment, Nolan uses a thumping and insistent soundtrack. As it is not a moment, but a 3h movie, it is really tiresome.
All in all, the movie is OK but you can only think this is a great movie if you are a real Nolan fan. "Man kind was born on earth, it was never meant to die here."
IT has been two days since I watched it and I still can't get it out of my head. I can safely say that it has been a long LONG time since a movie had this much effect on me after watching it. And the only thing I can think of now is to somehow Re-Watch it again.
This movie was surprisingly different from Christopher Nolan's recent works because they had been great cinematic entertainment pieces catered to a wider audience with a blockbuster approach, this certainly didn't felt like that and hence the polarizing response it got. It is an ambitious project that is not meant to merely entertain, walk into it knowing that. I'll say this though, If it works for you, you'll be in heaven.
The premise of the movie is that Earth is no longer capable of supporting humans on it, we must find a new home to avoid extinction. This scenario is told from a very personal perspective and not from a Global scale like some sort of apocalyptic catastrophe disaster film. At the core of the movie is the Father-Daughter relationship. The movie takes its sweet time to develop it too.
Mathew McConaughey, not surprisingly, gives an amazing performance as the main lead. He really carries the film, some scenes were very emotional due to his great performance. The rest of the cast does a great job as well, especially the Daughter played by Meckenzie Foy. The One character that I never expected to be great was the robot TARS. He also acted as the source of the humor in the movie, well executed, timely and grounded.
Interstellar tackles a lot of themes, Survival, Humankind, Love, Time etc, out of which 'Time' had the biggest impact on me. With relativity being a big part in the film, the whole sequence about it just struck me very deeply and I found new respect for Time. I'm actually at a loss of words to describe it. Also, there is a lot science in it so it can be confusing for many and in Nolan's tradition, it also has twists and mind numbing ending, where the more you think about it, the more numbing it gets.
The visuals of this movie are breathtaking. Great cinematography and CGI. The depiction of wormholes and blackholes and other space entities were the best I have ever seen. They just suck you into the movie. Along with that, you get to listen to one of Hans Zimmer's best scores. The score not only felt personal, going perfectly with the movie, but also different from his recent works. There were times where combination of epic photography and soundtrack made the scenes timeless, like I was completely sucked into it and didn't had a clue about my surroundings. I didn't want those scenes to end.
Alas, the movie was not perfect. My biggest gripe with it is that the pacing and editing was off at times. Some scenes dragged on while others were cut far shorter. The beautiful views of space could have definitely benefited from a few seconds longer onscreen time. Also, I wished there was more space exploration in it.
With all the remakes, rehashes, reboots and sequels we are getting in these times, it is great to see original gems like these. This movie is definitely one of this year's best, one of Nolan's best work and one of the best movie I have seen in recent years.
9.5/10 This was my most anticipated film of 2014, and I was not disappointed.
The story was slightly difficult to follow on the first watch, but that was to be expected in a film dealing with complicated fields such as astrophysics and time dilation. Many didn't find its overall message - that love is the most powerful force in the universe which transcends space and time - to be very appealing, but I thought it was an interesting take on special relativity and how two people can be bound by a common feeling, even when they're in different parts of the universe at different times. I also thought the acting was believable, for the most part, and I didn't think anyone was miscast. I enjoyed the surprise appearance from a certain famous actor about halfway through.
But what really blew me away were the visuals and the soundtrack. I believe it was Quentin Tarantino who once said movies and music go hand in hand; that a moving image complimented by the right piece of music can create art. Well, the visuals in this film, which took my breath away, and the score, which perfectly captured the 'feel' of the cosmos and all its wonder, proved him right. I think this was Hans Zimmer's best work yet, and although I'm not Christopher Nolan's biggest fan, I will continue to follow his work if he can pull off more movies like this.
My only regret was not seeing this film in IMAX.
10/10 That this movie, at the time of writing this, holds an 8.8 rating at IMDb is simply beyond my understanding. Needless to say I did not really like this movie. The story is not very good, the science is ludicrous and the visuals not all that impressive. Maybe the latter would be better in a big theater (I watched this on my home cinema system which has a relatively large screen by European standards) but I am not really sure about that either.
Be warned that the rest of this review might contain a spoiler or two.
The movie starts of with the usual “I told you so” wet dream of the green fanatics on a dying Earth so it is off to a depressing start right away. That is an overused concept today as far as I am concerned. Then they pour it on with a school official claiming that he Apollo missions and moon landings never happened. What the f…? If they wanted to depress the audience right from the start they succeeded, at least with this audience.
The story proceeds with our heroes finding these gravity waves in the sand and by a huge stretch of imagination decrypts them to mean coordinates which leads them to the secret NASA base. Once there Cooper is told that he is their best choice of pilot for a “save the human race” mission through a wormhole. Yeah, right! This guy was former NASA. His whereabouts could hardly been unknown to them. If he was their best choice why would they entrust a mission to save the human race to someone else until he stumbled onto their door? Typical Hollywood nonsense!
The movie is full of this kind of rubbish. Romilly wastes 23 years of his life doing pretty much nothing except deciding not to go into the sleep capsule. The supposedly highly trained and vetted professor that they do find turns out to be a psychopath as well as and idiot almost blowing up the ship when trying to proceed with a docking that all the systems tells him have not succeeded. Then they proceed to dock with the main ship and stop its spin as well as bring it out of orbit around a planet with the shuttles engines. That is one hell of a powerful shuttle not to mention the strength of the docking mechanism! This just goes on. When someone is not doing something illogical or stupid (or both) they sit around talking, philosophizing and dragging the movie forward at snails pace. 169 minutes is way too much for this movie.
The movie ends up in one big time travel mess (okay they do not travel in time, just sends messages through time but still…) during a bunch of psychedelic scenes while traveling through the back hole. Science? Not so much. And what about this totally ludicrous massively illogical and inefficient robot design?
The one good thing I can say about this movie is that the performance of most of the actors, especially Matthew McConaughey, are quite good. For the rest, not my cup of tea. Again hit produced by christopher nolan after batman. Storyline is great and also the science theory is perfectly showcased. This might contain spoilers! --- Interstellar is my favorite movie. I'm really into space and everything about it, so this movie was my cup of tea. The soundtrack is the best of the movie. It points out flow of time, which is the most discussed issue in the movie. Special effects are breathtaking. Even with some small mistakes, it is pretty accurate and expectable. There is some visually pleasing cinematography too, including Saturn, the curvature of spacetime or majestic black hole, which is really satisfying. Some scenes are loud and thrilling, but some moments are so quiet, that you actually think, you are in space! The movie is long but gripping. The plot, although it's complicated, is told easily and understandably. But the end of the movie is difficult to understand, since it contains time loop and time travel at the same time, but if you listen carefully, you will get it. I watched the movie 7 times and I still enjoy it! "Do not go gentle into that good night; Old age should burn and rave at close of day. Rage, rage against the dying of the light".
The story is about a team of explorers undertakes the most important mission in human history; traveling beyond this galaxy to discover whether mankind has a future among the stars.
Christopher Nolan once said that 2001: A Space Odyssey was his all time favorite film and how he wanted to do a small tribute to he's next film. And then comes a movie called "Interstellar" that will put a smile on Kubrick face if he was alive today, because Interstellar is one of the best movie of 2014 and the best movie experience I've had at the cinema.
I saw this movie in IMAX and all through out this film I felt like I was in space floating around with Mconaughey and Anne Hathaway. I had that feeling that I was going deep into space just like are main character's, going deep into space just like the viewing auditions and me.
The visual effect's in this movie are some of the most stunning, beautiful and Jaw dropping effect's I've seen since 2001: A Space Odyssey. The performances were brilliant, The cinematography was breathtaking and hard to look away. The directing by Christopher Nolan and let me get this out there, this man is a true director; he knows cinema and knows how to interested people into seeing he's films and I'm still shocked that he hasn't won an Oscar yet.
Now most people or critics have said that last third of this movie ruined the movie for them, but I actually like the ending to the movie. It's new for Nolan because he always ends on a deep and cold note, but this movie didn't and I didn't mind it.
My only nick pick with the movie is some of the character's in this movie wasn't all that interesting. Matthew McConaughey, Anne Hathaway and Jessica Chastain are the only character's that to me were interesting and I cared for them, but the rest of the character's I didn't really care for.
Overall Interstellar is a mind-blowing movie with fantastic visual's, interesting story line and the movie will keep you interested till the end.
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Title : Gone Girl Gone Girl genre : Mystery, Thriller, Drama Gone Girl crew : Arnon Milchan, Reese Witherspoon, Trent Reznor, David Fincher, Ceán Chaffin, Jeff Cronenweth, Laray Mayfield, Ren Klyce, Ren Klyce, Douglas A. Mowat Gone Girl release date : 20 March 19 1 3 Gone Girl runtime : 149 Minutes Gone Girl Crew : Arnon Milchan, Reese Witherspoon, Trent Reznor, David Fincher, Ceán Chaffin, Jeff Cronenweth, Laray Mayfield, Ren Klyce, Ren Klyce, Douglas A. Mowat Gone Girl cast : Ben Affleck, Rosamund Pike, Kim Dickens, Tyler Perry, Neil Patrick Harris, Carrie Coon, Patrick Fugit, David Clennon, Lisa Banes, Missi Pyle ========================ஜ۩۞۩ஜ==========================
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With his wife's disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it's suspected that he may not be innocent. Gone Girl 2014 review : Good cast and decent story, although the end is not very convincing.
The cut of the movie is really good and Rosamund Pike is genuinely scary.
Not a master piece but quite good given the lack of passable movies lately. Rosamund Pike is outstanding as the wronged wife and Ben Affleck is very good as the husband. It is convoluted, and you do start to think is this just going over the top, but the end just shows Pike's character to be a damaged high-functioning psychopath. So at the final sequence, even if it's a tad far fetched even if you feel that Affleck deserves everything coming to him, the look she gives to the camera is that of an pure evil. As my youngest daughter used to say when she was a kid, she's got scary eyes. "This man might honestly kill me".
The story is about Nick Dunne, as he finds out his wife has gone missing. As increasing police and media pressure mount, the facade of a loving and blissful union crumbles and amidst the lies and behavior of Nick, the question remains - did he kill her?
David Fincher is a true master class when it comes to directing, because Gone girl is one of the best films of this year.
Ben Affleck was perfect for this role, because Ben Affleck through out he's career had a lot of hate from the media and the critics that mostly slammed him in every role that he was in. And that's why he was outstanding in this movie.
Rosamund Pike acting in this film was pure brilliant and spectacular. She was so good in this role she might get a Oscar nomination for this. Tyler Perry in this movie was actually pretty damn good, and am so surprise saying that because Mr. Perry was in such awful films like: MADEA trilogy, Alex cross and the list goes on. But in this movie he did good.
What this movie does so brilliantly well is how we view media today, because most of the stories you hear on the news might not be true and how the media can spread lies about people and ruining their lives. Everybody always believes what the media says even if it's true or not, because we don't know what that person on the news is going through, and this movie got that message out they so perfectly.
My only problem with this movie is Neil Patrick Harris character. Now let me just say that Neil Patrick Harris wasn't terrible in the movie, but his character to me slowed the film down.
Overall Gone Girl is a fantastic film. If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com
This is it. The last David Fincher's film I'll be able to review before Mank, his next masterpiece… I hope. I've been through Se7en, Fight Club, Zodiac, The Social Network, and now it's time for Fincher's latest installment, Gone Girl. Clearly, Fincher loves to work with people he knows. Jeff Cronenweth has been his director of photography in half of his movies, same for Kirk Baxter as part of the editing team, and Trent Reznor and Atticus Ross in the musical score. Even his production designer, Donald Graham Burt, has been around since Zodiac. However, Fincher always works with a different writer, and this time, he partners up with a debutant screenwriter, Gillian Flynn, author of the original novel that originates this adaptation.
Usually, when it comes to writers, I take this change of media with a grain of salt since writing a book isn't exactly the same as writing a screenplay (it's completely different, I was being generous). With that said, Flynn absolutely destroys my self-doubts, delivering one of the best scripts of 2014. From the exceptionally captivating, perplexing disappearance of Amy to the underlying theme about how press and media treat this type of news, Flynn's screenplay is impressively able to develop each and every narrative in the most perfect way possible. With a remarkable use of time/date stamps, the viewer follows in a detailed manner the events that build up to the tragic day through different perspectives, mainly Amy's and Nick's.
This story's greatest accomplishment is how it makes the press influence what the viewer thinks about the characters, just like in real life. Nowadays, people don't even click to read the full article and understand its context. A single headline, as far from the truth as it might be, is enough to start a worldwide online debate. The same goes for television networks, and their news shows: if it's on the national news program, then it must be true, people think. I may be wrong when I wrote the whole "change of media" matter before, but of this, I'm sure: take every news article you read with a grain of salt because most of the time, the full, true story isn't entirely revealed.
This takes me to Ben Affleck (Justice League, The Way Back) and what I consider one of the best casting choices of the respective decade. In case you don't know, Affleck has been pursued throughout his whole life by journalists who try their hardest to expose his personal life, no matter how disrespectful it may turn out to be. Nick goes through the exact same obstacle. There's non-stop news about Amy, and it only becomes a matter of time until Nick starts being accused of being a terrible husband, and ultimately the obvious killer, even though the press can't find a single proof. Affleck doesn't even need to incorporate a new character since he has the necessary life experience to offer an utterly brilliant performance. Definitely, one of my favorite actors working today.
Since I'm in the realm of performances, I might as well continue with Rosamund Pike (Radioactive). Her interpretation of Amy is almost the opposite of Affleck's, in the sense that the latter gives a seemingly simple yet powerful display, while Pike has a much more complex, layered role. She can be menacing and scary but also loving and kind. The puzzle surrounding her disappearance is mostly based on a perspective enigma, as the viewer is told the same story through different lenses throughout the first half of the film. Honestly, this is probably a career-best performance for Pike, who portrays a character of extremes, allowing her to demonstrate her jaw-dropping emotional range.
Carrie Coon (Margo Dunne) is another actress I've grown to deeply enjoy watching, and she's terrific as Nick's sister. Her chemistry with Affleck is spot-on, and I sincerely hope that one day she becomes one of the most coveted actresses in Hollywood. Tyler Perry (Tanner Bolt) is also pretty great as Nick's lawyer, but Kim Dickens is even greater as Detective Rhonda Boney, who partially plays the same role as the viewer by trusting that what she sees and hears is undoubtedly the ultimate truth. Flynn's screenplay is packed with twists and turns, some of them more surprising than others, but the third act saves an unexpected, shocking turn of events, leading to a powerful ending that will leave most audiences speechless, myself included.
Two minor issues. One of them, you probably have already figured it out since I left Neil Patrick Harris (Desi Collings) out of the cast compliments above. Harris is fine as the character he portrays, but I can't help but feel that he wasn't the right actor for the role. This is a classic Fincher movie: dark, somber, depressing, tragic, and with its own share of violence and blood. In fact, it possesses one of the most disgusting, disturbing uses of blood in a single scene I've ever seen. Harris is an excellent actor, but he stands out from the rest of the cast, and not in a positive way. Again, fine performance, just not the right role for him. The other problem is admittedly an irrelevant nitpick regarding a few details story-wise that stretch the believability of everything just a bit.
Nevertheless, this is still a phenomenal film, and it's another evidence of David Fincher's masterful visual filmmaking. Once again, Fincher works with his known crew members to create a sumptuous look and feel. With seamless editing, a memorable score, and fantastic camera work, Gone Girl is technically magnificent, but it's Gillian Flynn's debut screenplay that steals the spotlight. Boasting jaw-dropping twists, including an utterly shocking third act and respective ending, Flynn's narrative is incredibly engaging due to its remarkable structure and puzzling mystery, never losing an inch of excitement or interest. Ben Affleck is one of the best casting choices of the decade by interpreting a man whose life is deeply affected by the press and media, which should never be fully trusted (a clear and powerful message to the audience), while Rosamund Pike delivers her career-best performance with an emotionally devastating display. Despite the misstep of casting Neil Patrick Harris in such a dark movie and a couple of nitpicks regarding the investigation, everything and everyone else turn this into one of the best films of the 2010s.
