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Title : News of the World
News of the World genre : Action, Adventure, Drama, Western
News of the World crew : Tom Hanks, Dariusz Wolski, William Goldenberg, Gail Mutrux, Paul Greengrass, Paul Greengrass, Gary Goetzman, Luke Davies, Mark Bridges, Gregory Goodman
News of the World release date : 12 June 19 6 8
News of the World runtime : 118 Minutes
News of the World Crew : Tom Hanks, Dariusz Wolski, William Goldenberg, Gail Mutrux, Paul Greengrass, Paul Greengrass, Gary Goetzman, Luke Davies, Mark Bridges, Gregory Goodman
News of the World cast :
Tom Hanks, Helena Zengel, Fred Hechinger, Michael Angelo Covino, Thomas Francis Murphy, Elizabeth Marvel, Mare Winningham, Neil Sandilands, Chukwudi Iwuji, Christopher Hagen
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A Texan traveling across the wild West bringing the news of the world to local townspeople, agrees to help rescue a young girl who was kidnapped. News of the World 2020 review : Tom Hanks and Director Paul Greengrass have combined to create a truly moving and memorable western which is one of the best films of 2020.

Hanks stars as Captain Kidd; a former Confederate Captain making his way in occupied Texas in the post-Civil-War era. Kidd travels from town to town reading various newspaper stories of interest to gathered locals who are too busy or unable to read the news and look forward to his lively interpretations of news of interest on a local and national level.

On his way to his next location; Kidd comes upon a fair skinned blonde girl wearing Native American clothing and speaking a tribal dialect he does not understand. The fact that their cart has been overturned and a lone male is hanging from a tree leads Kidd to uncover the tragic history of the child.

According to documents he discovers in the wreck; she was taken during a raid and her parents and sibling killed. The tribe that raised her was subsequently killed leaving her an orphan twice over. As such; the girl named Johanna (Helena Zengel); is to be taken to a nearby town and remanded to a local agency for transportation to an Aunt and her husband over 600 miles away.

Kidd sees it as his duty to take her to the nearby town which is confirmed by some passing Union soldiers who occupy the area during the Reconstruction era much to the scorn of the locals who are stinging from losing the Civil War.

Things do not go as planned as Kid is told that the authority in charge of such cases is away for three months so he must either wait or deliver the girl himself.

Thanks to the help of a former soldier under his command, Kidd sets out on the road to Dallas and then to the very dangerous areas beyond as he attempts to take Johanna to safety.

Along the way the two will face danger, challenges, and bond on a very memorable journey.

Hanks is very solid in the role and his character is compassionate yet complex. There is a reason for his generosity and he attempts to make peace with the pain and regret in his life by trying to do what is right and coming to terms with what has plagued him.

The film moves at a steady pace and does not have many extended action sequences but when action does arrive it is central to the story and never seems gratuitous.

Zengel is a great pairing with Hanks as the young German actress will be one to watch going forward. She is able to convey so much without an abundance of lines and you can clearly see how well she and Hanks clicked.

The visuals of the film are scenic as the audience really gets a look at the rugged beauty of the land and life during this era. It was fascinating to see what Dallas and San Antonio looked like in the 1860s after knowing them as the modern cities that they are today.

There is much to like about the film and I am eagerly putting “News of the World” on my best of 2020 list and I truly hope this film gets the recognition it deserves come awards time as it is truly a wonderful and inspiring film that is cinema at its finest.

4.5 stars out of 5
One of the MOST boring attempts at making a Western by a Top shelf actor to date.. Hollywood really needs to come to grips with fact they NO longer have what it takes to make these kind of films...and havnt for a few years now...

Now continue on with the worlds dieing films, or Zombies, or female assassins, or better yet the ANTIFA genre of destroying neighborhoods and hating this country... The whole anti white male genre is a real boomer... but they need to stay away from Westerns... seriously.. For starters... your fresh out of masculine leading men that will work on a crappy script....

Ya this is one genre that is lost to the arts

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The Trial of the Chicago 7 crew : Phedon Papamichael, Walter F. Parkes, Sacha Baron Cohen, Laurie MacDonald, Alan Baumgarten, Aaron Sorkin, Aaron Sorkin, Shane Valentino, Susan Lyall, Marc Butan
The Trial of the Chicago 7 release date : 3 January 19 5 8
The Trial of the Chicago 7 runtime : 130 Minutes
The Trial of the Chicago 7 Crew : Phedon Papamichael, Walter F. Parkes, Sacha Baron Cohen, Laurie MacDonald, Alan Baumgarten, Aaron Sorkin, Aaron Sorkin, Shane Valentino, Susan Lyall, Marc Butan
The Trial of the Chicago 7 cast :
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Aaron Sorkin has been around for quite some time. A Few Good Men, Moneyball, Steve Jobs, and arguably one of the best movies of the last decade, The Social Network, all have one thing in common: Sorkin as a screenwriter, but not as the director. Molly's Game was Sorkin's directorial debut, which makes The Trial of the Chicago 7 only his second time in the director's chair. I've either loved or liked every film from him, so obviously, my expectations were already high enough solely due to his presence. However, with the announcement of such a stellar cast, it's impossible not to expect one of the best movies of the year to come out of this project...

Expectations fulfilled. This is, in fact, one of 2020's very best films, without the shadow of a doubt. Based on real events, the movie quickly jumps to the main point of action: the trial. Only twenty minutes in, the viewer is already inside the famous courtroom where the expected and the unexpected occur simultaneously. Sorkin's employs a narrative structure that keeps me captivated until the final credits start to roll. The actions that led to this court case are demonstrated throughout the same instead of being shown through a linear timeline, which would reduce the trial's value. It's the main reason why such a simple premise turns into a phenomenal adaptation of the historical event.

I couldn't take my eyes off-screen for a single second or lose one of the many incredible dialogues. Every conversation, every argument, every objection, overrule, or "motion denied" is transmitted to the viewer in an exceptionally captivating manner. It's one of those movies where the "action" belongs to words instead of fists. I felt tremendously invested in the trial. It never loses a gram of interest, it's full-on exciting all the time. I desperately wanted to find out the result of the case (I didn't possess knowledge of the real story, but I'll address this further down). I really wanted to witness the events that put the defendants in their respective positions. I strongly desired to see the end of the situation.

As soon as the film ends, I felt the urge to immediately research everything about the true story. I spent close to forty-five minutes reading many articles about the 1968 Democratic National Convention, the riots, the presidential nominees... everything. This is one of the most important criteria I have to define how successful a historical flick truly is: how much does it compel me to research everything about it. The Trial of the Chicago 7 convinces me to study the real events with significant impact. From what I've read, Sorkin changes a few details timeline-wise (something pretty common in this type of movie), but overall, it's a pretty accurate, realistic adaptation.

Technically, every component is remarkable, as expected from a Netflix-Sorkin partnership. However, the score plays a special part since its volume in crescendo elevates several escalating situations, leaving me at the edge of my couch, biting my nails. It's a fantastic achievement from Daniel Pemberton, who also scored Birds of Prey and Enola Holmes this year. Additionally, this might not be a one-location film, but Sorkin keeps the camera so focused on the courtroom that it feels like the audience is stuck in there with the defendants.

Besides Sorkin's screenplay, the cast obviously plays a massive role. Just like I mentioned above, this is a movie where the "action" is played out through words. Inside the courtroom, there are constant arguments, countless contempts of court, a voir dire (it doesn't hurt to google courtroom terminology before the film), and so much more that leads the judge to make questionable decisions based on shocking evidence. Every actor is absolutely outstanding, I was able to feel everything during that trial, but I do have four standouts.

Sacha Baron Cohen (Abbie Hoffman) shares the laugh spotlight with Jeremy Strong (Jerry Rubin), but he ends up being the ultimate comic relief. His delivery and timing are pure gold. I can't deny that I was surprised by his performance since I've only seen him in Borat. He's extremely funny, but don't be mistaken by my words: Abbie proves to be one of the most essential defendants in the trial, offering a memorable testimony and demonstrating his real purpose. Eddie Redmayne brings his Oscar-winner face to the game by interpreting Tom Hayden. A vital character that lets the viewer know that while they might not all be completely guilty, they're not all exactly innocent as well. Hayden's final speech is one of Redmayne's best scenes of his career.

Mark Rylance plays the role of the public, portraying the defendants' lawyer, William Kunstler. He shares the viewer's frustration with the judge's decisions but never gives up, trying to bring justice to the case. If I had to bet on an actor to get awards buzz by the end of the year, it would be Rylance due to his powerful display. My last standout is Frank Langella as the judge Julius Hoffman. I believe a lot of people will give credit to every actor for portraying characters they love, but most will forget the actor that interprets the character everyone hates. Langella deserves all of the praise in the world for making me despise completely such an unfair, racist, unqualified judge. His performance is simply extraordinary.

These are my four standouts, but the entire cast is phenomenal. I'm a bit disappointed that I didn't get to see more from Yahya Abdul-Mateen II (Bobby Seale), but after researching Bobby's involvement in this story, I understand his lack of relevance to the main narrative. He plays more of a modern parallel to the 60s in the sense that the judge heavily discriminates against him during the trial, transmitting a message that humanity's behavior may have evolved regarding racism, but there's still a long way to go. A final shoutout to Joseph Gordon-Levitt, who is also excellent as Richard Schultz.

I only have one issue. In terms of entertainment, the viewer entering the main stage after only twenty minutes is a bold yet efficient move. However, the introduction to the characters and the story itself goes by so fast that I could only understand who's who and their purpose during the trial. Sorkin assumes people know everything about who these characters are, what they did, and where the narrative is driving towards, skipping through dozens of details that (mostly) non-American audiences will struggle to understand in time. Sorkin could have given these characters more depth initially, offering the viewer time to get familiar with their names and organizations.

All in all, The Trial of the Chicago 7 is undoubtedly one of the best movies of the year, probably the best at the date of this review. Aaron Sorkin's narrative structure and the brilliant cast are the two main reasons why this film succeeds so well. Sorkin's screenplay is organized in a way that keeps the viewer astonishingly captivated throughout the entire runtime by following a nonlinear structure. Maintaining the focus on a single location is an exceptional decision for a movie where words are the action of the story. Inside the courtroom is where every fascinating argument ensues, never losing steam until the very end. It's also a lot funnier than I expected. Regarding the cast, Sacha Baron Cohen, Mark Rylance, Eddie Redmayne, and Frank Langella are my standouts, but every actor delivers outstanding performances. Daniel Pemberton's score shines in an overall very well-produced film. The first twenty minutes fly by in favor of entertainment by quickly placing the viewer inside the courtroom, but it's so rushed that it makes it difficult for the audience to remember everyone's names and purposes. Assuming everyone knows the true story and the people involved is a risky move, especially for non-Americans. Nevertheless, this minor issue doesn't affect an otherwise flawless movie. Obviously, I strongly recommend it! Maybe reading a bit about the real events beforehand will help the eventual viewing, but don't read too much due to the usual spoilers.

Rating: A
Sacha Baron Cohen has now delivered my 2 favourite & memorable characters of the year in the same fortnight.

This movie is a strange incongruence. It inspired/engaged/enraged me at the same time as it made me feel flat. It could have been longer (the time flew by) and drawn out the characters more, but I felt that it had said what it needed to say. And the melodrama felt just above where it needed to be. Having said that, the editing is top notch and the performances are at least "on par", if not outstanding (Baron Cohen, Abdul-Mateen II, Rylance and Langela).

And regarding the Direction - its not perfect, it likely would have been better done in the hands of a master. But if this was my second film, I would be f$%^ing stoked.

Watch this movie.
It is important for a film to say what it wants to say correctly and to somehow overcome its claim. "The Trial of the Chicago 7" is one of these films. A coherent narrative with a perfectly acceptable script and no extra glamor. Adapting in cinema has always been a difficult task, whether from another literary work or a real event. The film also manages to make this historical adaptation and not only shows the details well, which gives it a new spirit with the art of cinema, so that it has the necessary impact on the audience. An important point is that the film is successful in creating a feeling and does not seek to hide its weaknesses by crowding the film by using unnecessary Techniques or tricks. Throughout the film, we see a variety of emotional atmospheres that are sometimes very lively and sometimes very calm and quiet. The director, however, has been able to create emotion both in crowded spaces and in the silences, that sometimes take the audience to a deeper layer of the movie. The actors in the film are all acceptable, However, some of them do not become characters in the script, and in the meantime, “Langella” acting as the judge and “Sacha Baron Cohen” as Abbie was better than others. “Sorkin” has once again shown that he has an acceptable ability in screenwriting, and this time he has performed well in directing too. “The Trial of the Chicago 7” is a compact movie that works to the best of its ability And it tries to get closer to the form, though it cannot be said that it has done it completely, but in some places it gets close to the form. It should be noted that the film is very successful in its purpose and the use of old images and videos helps to convey this purpose to the viewer. What this film has done, that is, create a sense of criticism and sometimes hatred for a corrupt system, is something that not every film can easily do. In general, “The Trial of the Chicago 7” is a good movie that will be alive for a long time and anyone of any age and period can communicate with it.

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Title : Iron Man 2
Iron Man 2 genre : Adventure, Action, Science Fiction
Iron Man 2 crew : Justin Theroux, Christopher Boyes, Christopher Boyes, John Debney, Sarah Halley Finn, Matthew Libatique, Mary Zophres, Stan Lee, Stan Lee, Kevin Feige
Iron Man 2 release date : 21 February 19 7 7
Iron Man 2 runtime : 124 Minutes
Iron Man 2 Crew : Justin Theroux, Christopher Boyes, Christopher Boyes, John Debney, Sarah Halley Finn, Matthew Libatique, Mary Zophres, Stan Lee, Stan Lee, Kevin Feige
Iron Man 2 movie cast :
Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Scarlett Johansson, Sam Rockwell, Mickey Rourke, Samuel L. Jackson, Clark Gregg, John Slattery, Garry Shandling
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With the world now aware of his dual life as the armored superhero Iron Man, billionaire inventor Tony Stark faces pressure from the government, the press and the public to share his technology with the military. Unwilling to let go of his invention, Stark, with Pepper Potts and James 'Rhodey' Rhodes at his side, must forge new alliances – and confront powerful enemies. Iron Man 2 2010 review : It was understood that the theaters would be sold out but when the three of us came there we just couldn't accept NO for an answer. So we were finally able to buy tickets BUT we were seated separately. It was fine though. The movie kept me entertained. Except for the guy near me who was snoring pretty loud, the movie was great.


Of course Robert Downey Jr was amazing as always. There might be weird critics with this movie but for me, I liked it. The action scenes were just right. It wasn't too much and it wasn't too little. It was weird seeing Don Cheadle though play Terrence Howard's character. I like Terrence better. And then there's Scarlett Johansson who is really sexy although I think there weren't that many acting for her in this movie. There weren't many lines. And what was weird also was that in this movie, the chemistry between Tony Stark and Pepper was not that much compared to the first movie although in this movie they actually ended up together. But all in all I liked the movie. Seeing old characters from the first movie and new characters. I can't wait for a 3rd Iron Man movie.


My rate for this movie is B+.
Yet another ridiculously high rated Marvel movie, we get it Marvel fanboys you just love it when a new Marvel movie comes out, so much that you forget any flaws in it and give it a 10 or a 9 anyways.

But come on seriously? Wouldn't you rather they spent a little time at actually writing a somewhat decent script and making it a bit more entertaining than to praise EVERYTHING they do to the skies just because you want a new chapter in the Marvel universe?

Cause this is NOT a good movie, 35 minutes of decent at best action and 85 minutes of nonsensical blabber.

Mickey Rourke was the only highlight in this movie, the scene at the racetrack with him was really cool but then he just became a wasted opportunity just like the rest of the movie.

A really boring turd of a film.
**A long form review originally posted in 2010:**

I find, the best way to look at this movie, is as two movies. Sounds strange I know, but bear with me.

On the one hand you have this Super Hero movie, it's about the main character, Iron Man (Robert Downey Jr.), flying around doing comic book-character type stuff, and it's this pretty okay action film that's worth taking a look at. Then, there's this drama with a hint of comedy, this other film isn't really a genre, it's just about the characters interacting with each other, it's about the main character, Tony Stark (Robert Downey Jr.), driving around doing billionaire-playboy type stuff, and this movie, is fucking great. Part script, and part flawless acting, this movie sets _Iron Man 2_ apart from any other Super Hero film out there. It was explored in the first film, and you get a similar thing there, but in this movie the division is more clear, and it bizarrely benefits from it.

When films go franchise-style, it's inevitable that there will be scheduling conflicts, it's an unfortunate part of the industry, particularly when you have a deadline to meet, and for whatever reason, an actor will be unable to return to their original role. Such an event takes place in _Iron Man 2_ when Lt. Col. James "Rhodey" Rhodes (originally played by Terrance Howard) is replaced by Don Cheadle. I personally think that Howard was better suited to the role, simply because he looks more like Rhodey does in the comics. But their way of dealing with the changeover is simple, and clever, the character's first lines, whilst making perfect sense in context, are "Look, it's me, I'm here, deal with it. Let's move on. Drop it." Very classy.

Although Mickey Rourke (_Get Carter, Sin City, The Wrestler, Man on Fire, The Expendables_) manages a very convincing evil Russian; Ivan Vanko, who's a perfectly good character, Whiplash as a villain is unfortunately somewhat lacking. Sam Rockwell (_The Green Mile, The Hitchhiker's Guide to the Galaxy, The Assassination of Jesse James by the Coward Robert Ford, Frost/Nixon, Moon, Conviction_) plays Justin Hammer, corporate rival of Stark's. Scarlett Johansen (_Eight Legged Freaks, The Girl with a Pearl Earring, The Island, The Prestige, The Spirit_) is another good addition to the cast, in the role of Natalie Rushman A.K.A Natasha Romanoff A.K.A Black Widow. Samuel L. Jackson (_Jurassic Park, Pulp Fiction, Jackie Brown, The Starwars Prequel Trilogy, Shaft, S.W.A.T, Kill Bill Volume 2, Snakes on a Plane, 1408, The Spirit, Inglourious Basterds_) portraying S.H.I.E.L.D Director Nick Fury, rounds out the newbies in the cast. And it's all good news.

The Hammerdrones are an attempt at revamping the whole boss-battle that was such a let down in the original film, which honestly, once again didn't really work out. Once again it's a case of the character interaction that makes the film what it is. The effects also went a long way in the line of helping out the film, 'cause they were awesome. There are a couple of negatives in the script, just those moments when the suspension of disbelief is not... suspend-y enough. As for example the line; "Congratulations sir, you have created a new element", is a little flawed.

Though if I was forced to choose between them, I would probably say that _Iron Man_ is the better of the two films, but _Iron Man 2_ has a better re-watch value in my opinion, which I prize highly. I wait with baited breath for the next Marvel film to come out, _Thor_.

63%

-Gimly
Honestly, it took me three tries to get through this movie once. It kept putting me to sleep.

The cast do everything they can to make their scenes entertaining, but Iron Man 2 is a just an absolute waste of two hours and $200 million. 1: The stupidly integrated villain Ivan Vanko who is given no backstory or true relatable motive (even Mickey Rourke was pissed at how his character was handled). 2: The pointless subplot of how Tony Stark has to create a new element to save himself. 3: The sloppy introductions of both SHIELD and Black Widow. There's very little here that is of any actual entertainment value, or at least to balance out how tedious the whole movie is to watch. No wonder why Jon Favreau left to make more personal works.
Says a lot, but took now a decade to finally see this sequel. Certainly belongs in the lower tier of the MCU as the plot really felt disjointed and even though it was only two hours, really short for a comic book movie nowadays, still felt so much longer. That said, had a few okay moments yet can't really say anything stood out. **2.75/5**
'Iron Man 2' is good, nothing special, but good.

Robert Downey Jr. is just as entertaining in the lead role, while the specials efforts are again pleasing. The score, which I found slightly lacking in 'Iron Man', is improved. The plot isn't as interesting, or all that creative, but it's done well enough that I didn't ever feel bored; though some of the pacing is off.

I like Don Cheadle so it's good to see him come in, even if his character is rather forgettable. Scarlett Johansson is also a solid addition, though Sam Rockwell didn't do anything for me in his role. Mickey Rourke is fun enough as Ivan.

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Title : Trinity Seven 2: Heavens Library & Crimson Lord
Trinity Seven 2: Heavens Library & Crimson Lord genre : Animation, Action, Fantasy, Comedy
Trinity Seven 2: Heavens Library & Crimson Lord crew : Hiroshi Nishikiori, Kenji Saito
Trinity Seven 2: Heavens Library & Crimson Lord release date : 21 February 19 8 6
Trinity Seven 2: Heavens Library & Crimson Lord runtime : 61 Minutes
Trinity Seven 2: Heavens Library & Crimson Lord Crew : Hiroshi Nishikiori, Kenji Saito
Trinity Seven 2: Heavens Library & Crimson Lord cast :
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Title : It
It genre : Horror
It crew : Stephanie Gorin, Kelly Jones, Stephen King, Roberto Campanella, Jeong Jeong-hun, Benjamin Wallfisch, Marty P. Ewing, Marty P. Ewing, Paul Flinchbaugh, Peter Grundy
It release date : 16 March 19 2 2
It runtime : 135 Minutes
It Crew : Stephanie Gorin, Kelly Jones, Stephen King, Roberto Campanella, Jeong Jeong-hun, Benjamin Wallfisch, Marty P. Ewing, Marty P. Ewing, Paul Flinchbaugh, Peter Grundy
It movie cast :
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In a small town in Maine, seven children known as The Losers Club come face to face with life problems, bullies and a monster that takes the shape of a clown called Pennywise. It 2017 review : "Skarsgård goes to hell and back to craft a truly malevolent creation, utterly believable as the black soul of King’s cursed small town..."

Read the full review here: http://screen-space.squarespace.com/reviews/2017/9/6/it.html
**This movie went right to the trash.** I cannot believe what Warner Bros has done for this piece of trash.
Yes, there have been rave reviews for this movie, but we recommend that you do not mind them, as we should not be teaching children on how to safely get sodomized by a monster.

These directors' brains are also in the trash. Now let's put the MPAA R rating right into the trash where it is supposed to go. Final warning: **Don't let your kids watch trash.**
More _Fucked-Up-Coming-of-Age_ than _Monster-Movie-Slasher-Horror_. Which is what it should be, but perhaps not what it's marketed to be. Stephen King's _It_ is one of my all time favourite books, and I don't know that it will ever get a faithful adaptation (totally understandable seeing as the thing is 1200 pages and contains a multi-book spanning mythology of Space Gods and Turtle vomit), but this does a pretty good job of interpreting the feeling of the novel, even if it's not a great adaptation the events as a whole.

The kids are all great, Skarsgård makes for a good Pennywise, Pennywise improves as the piece moves forward, and the town is completely believable as "Derry" in the '80s. It may not be all it's purported to be, but is a very impressive film on its own merits.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
If you are gonna watch this movie go to the theatres and watch it...It's way more scarier than Annabelle: Creation and you will have lots of jump scares too.
Something certainly rings true in the horror thriller **It** that capitalizes on that common known fear that clowns are creepy annoyances to those that have an intense phobia towards them. In the case of **It’s** dastardly powder-faced joyboy or shall we say corrosive killjoy Pennywise the Dancing Clown, he definitely takes the cake in terms of his treacherous tendencies to quiet the unsuspecting kiddies in devious fashion. Here is a tip, parents, do not invite the poisonous Pennywise to your kids’ birthday party any time soon to blow up balloons and sing songs. This is just a friendly little warning. There is more to elaborate on regarding the sicko circus funnypants freak later.

Director Andy Muschietti (‘Mama’) delves into this surprisingly delicious twisted and terrorizing tale of a killer clown that gets his jollies off snuffing the lives out of rural-based youngsters in this calculating frightfest that pushes all the right buttons of panic and perversion. Skilfully edgy and traumatically tasty, **It** is a refreshing throwback to old-fashioned gory-minded gems where the boundaries of old-fashioned scare tactics were designed not only by the actual act of homicidal happenings but the mere suggestive nature of the heinous hedonism taking place. Polished and gripping in its shadowy and shifty overtones, **It** is convincingly probing as an absorbing psychological character study with an off-kilter sense of defiance in its naughty commentary on youthful innocence being compromised.

Based on the novel from famed hair-raising author Stephen King, **It** delivers the solid, sordid goods of a wild and wicked imagination following the acidic exploits of a menacing clown in the aforementioned Pennywise (played with penetrating and devilish aplomb by Bill Skarsgard from ‘Atomic Blonde’) whose murderous methods of slaughtering the young has been a staple signature in his madness for centuries now. The surviving tykes in the quaint town of Derry, Maine must now safeguard themselves from the makeup-wearing whackjob and figure out a way to terminate the baggy-panted beast before he continues to strike again and victimize another doomed child.

The backstory behind Pennywise’s existence is that he is some shape-shifting demon that emerges from the sewers only to target the unlucky rugrat in his immediate path while conniving, and conducting his blood-thirsty ways. However, there are a group of children that refuse to play dead for the demented clown and the quest to create an ill-advised showdown with the deplorable Pennywise would prove to be a very violent and mentally scarring experience in the process.

The story centres around young Bill (Jaeden Lieberher, ‘Allegiant’) and his early encounter with the sadness of unknowingly witnessing Pennywise’s wrath as it was inferred that the clown had to do with the demise of his precious little brother, George (Jackson Robert Scott), who never returned after enthusiastically wanting to work on a fun project in the basement. This haunting revelation sticks with poor Bill until this very day.

Nowadays, Bill must cope with the typical obstacles at school avoiding bullies and dealing with the pitfalls of peer pressure and needing to belong to a group of trusty associates. Thus, Bill is able to cement close relationships with the town’s other free-spirited youngsters. Still, there is that hovering myth about the mysterious sewers and, yes, the evil-minded Pennywise is at the forefront of fearful concern for Bill and the bunch. In fact, the gang will succumb to their collection of fears, paranoia and hesitation as the suburban legend of the creep-seeking clown clouds each of the kids’ tainted psyches.

The ensemble of young actors in **It** all register accordingly with their characters’ childhood shock in trying to overcome the overwhelming and petrifying mindset that has invaded their sensibilities. Lieberher has an authentic raw turn as the lead lad invested in the bizarre boundaries of matching wits with the demonic chalk-skinned trickster and his committed craziness. The other supporting cast of exposed kiddies on this adventurous train wreck of terror includes Sophia Lillis (’37’), Finn Wolfhard (from television’s ‘Stranger Things’), Jeremy Ray Taylor (‘Alvin And The Chipmunks: The Road Chip’), Wyatt Oleff (‘Guardians Of The Galaxy”), Chosen Jacobs, Jack Dylan Grazer (‘Tales Of Halloween’) and Nicholas Hamilton (‘Captain Fantastic’).

There is no doubt that Skarsgard’s clown of corrosion in Pennywise steals the show with his nefarious nature blistering shamelessly in seedy-minded elation. Clearly, Skarsgard chews the tarnished scenery with his abominable costumed cretin tip toeing on the unassuming sidelines while striking gory goosebump moments for his pubescent prey on screen and the twitchy audience off screen.

Sure, **It** suffers from the conventional trappings of cheesy false alarm jolts and the obligatory lurking in the dark sequences are arbitrarily tossed in as an aftermath for the legitimate lunacy of our star-making crazed and corruptible clown to perform his showboating insanity. Besides, what horror showcase has not welcomed the invitation of the overused and abused jump-scare techniques highlighted by a jittery soundtrack? Still, Muschietti and screenwriters Chase Palmer, Cary Joji Funkunga and Gary Dauberman manage to supply the infectious and insidious **It** with well-executed scary shenanigans, well-paced anxiety, wavering vulnerability and decent acting on behalf of the performers that aptly brought to life the eerie visions and vitality of King’s complex, creative mind.

Truly **It** is one of the best harrowing and in-depth horror/psychological thrillers to emerge in 2017. Also this titillating tale of cautionary kiddie chaos may be one of King’s formidable movie adaptions since the effective tension-filled, off-the-wall brilliance of 1990’s _Misery_.

**It** (2017)

Warner Bros. Pictures and New Line Cinema

1 hour 35 minutes

CAST: Bill Skarsgard, Jaeden Lieberher, Sophia Lillis, Finn Wolfhard, Jeremy Ray Taylor, Wyatt Oleff, Chosen Jacobs, Nicholas Hamilton and Jack Dylan Grazer

DIRECTOR: Andy Muschietti

WRITERS: Chase Palmer, Cary Joji Funkunaga, Gary Dauberman

MPAA Rating: R

GENRE: Horror/Mystery & Suspense

Critic’s Rating: *** stars (out of 4 stars)

(c) **Frank Ochieng** 2017
It is a movie that looked interesting, but I wasn't necessarily anticipating, because it had the potential to be awful. After seeing it, I can say that while it is good, I don't think it's nearly as good as other people are saying it is, and it had the potential to be. Starting off with the good, the film has some fantastic performances from the kids. I think the best performances in the film are from Andy Skaarsgard (or however you spell it) for Pennywise, and the kid who had asthma. I don't know his name, and I haven't seen him in anything before, but he stole the show. The movie also has some pretty scary moments. The scene inside of the house is one of the scariest scenes of the year, and there are lost of images that were genuinely disturbing. While the films was full of cheesy dialogue, the conversations between the kids are extremely entertaining and captivating. When it came to characters, MOST of the characters are well done and fleshed out. And that leads me to one of the 4 things that keep this film from being great in my eyes. Some characters, such as the bullies and Stan, and bland and have no back story. Therefore, whenever they are put in danger, it isn't nearly as scary as with other characters. Another reason I didn't love this film is the rock fight scene. Basically, the Losers Club stumbles upon the bullies and they throw rocks at each other. The rocks seemingly bounce off of their head without any problems like a trampoline. No one gets killed, or even knocked out. Overall, it was a very bad scene. For the most part the special effects were pretty good. However, the leper outside of the creepy house was awful. The costume would be great if it were for a haunted house or prank, but not for a big budgeted horror movie. When it came on screen I literally thought it was a bully playing tricks on him. And the last problem I have with the film is that the police are seemingly nowhere, along with parents. *Mild spoilers* One of the bullies murders his dad, a police officer, and then around a few scenes later, the son dies too. The bullies like to go around thereatening kids with knives and carving H's into their bellies. I think we would see at least one police officer investegating something in the film, and if not, I think my parents would notice if one day I came home and there was a gigantic blood pool on my shirt. Overall, It is a very fun movie. There are certainly better movies out there, but with this, I have an urge to go watch it again in theaters. It is a perfectly fun popcorn flick.

Score: 7.5/10
Great acting, memorable characters. One of the best (horror?) films I've watched.

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Title : Mama Weed
Mama Weed genre : Drama, Crime, Comedy
Mama Weed crew : Julien Hirsch, Bruno Coulais, Jean-Baptiste Dupont, Jean-Paul Salomé, Jean-Paul Salomé, Valérie Deseine, Kristina Larsen, Hannelore Cayre, Marité Coutard
Mama Weed release date : 19 October 19 7 7
Mama Weed runtime : 104 Minutes
Mama Weed Crew : Julien Hirsch, Bruno Coulais, Jean-Baptiste Dupont, Jean-Paul Salomé, Jean-Paul Salomé, Valérie Deseine, Kristina Larsen, Hannelore Cayre, Marité Coutard
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Title : The Meg
The Meg genre : Action, Science Fiction, Horror
The Meg crew : Barrie M. Osborne, Tom Stern, Colin Wilson, Grant Major, Liz Mullane, Gerald R. Molen, Harry Gregson-Williams, Mindy Marin, Lorenzo Di Bonaventura, Steven Kemper
The Meg release date : 12 September 19 8 5
The Meg runtime : 113 Minutes
The Meg Crew : Barrie M. Osborne, Tom Stern, Colin Wilson, Grant Major, Liz Mullane, Gerald R. Molen, Harry Gregson-Williams, Mindy Marin, Lorenzo Di Bonaventura, Steven Kemper
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A deep sea submersible pilot revisits his past fears in the Mariana Trench, and accidentally unleashes the seventy foot ancestor of the Great White Shark believed to be extinct. The Meg 2018 review : Well, when the credits started to roll I cannot say that I felt it had been a waste of time and money. I did indeed have some enjoyment watching this movie. However, it could have been a lot better.

For starters, what is the point of making a movie about a bloody “dinosaur shark” and aim for a PG-13 rating? Whoever made that incredibly stupid decision obviously missed the mark big time. I think this was the biggest fault with the movie. There were so many missed opportunities. The entire scene at the beach at the end of the movie was just wasted for example.

The script was of course somewhat illogical with holes in it large enough to drive a, well, a Megalodon through them. This however was something that I more or less expected given the kind of movie. First of all it is science fiction and fantasy after all and second, it appears that these kind of movies never seem to get anything better than mediocre script writers…at best.

There were some good things though. I have read the book and I didn’t really like it. In my review I gave it 2 out 5 five stars. The main reason for this was that the book was more of a bad soap opera than a horror/thriller. It was so filled with unlikable, scheming and backstabbing assholes that it was really not enjoyable. Jason’s ex wife was such a despicable bitch that she alone ruined the book for example.

Luckily the movie had toned down that aspect of the book quite a lot. Actually, in the end, there was really only one truly despicable asshole in the movie and he met with the fate that he deserved thanks to his own stupidity.

So, I did enjoy the movie and, as a science fiction and fantasy fan, I am glad to have watched it. I mean, a giant pre-historic shark on the big screen does have a certain cool-factor after all. It was somewhat saved by Jason Statham being in it though and it could have been a lot better.
Child friendly horror...

You have to take in to context the post release statements by director Jon Turteltaub and lead actor Jason Statham. The Meg is not the film they either read on the page or filmed as a course of grisly schlock entertainment. This was meant to be a proper schlocker, a bloodletting monster of the deep on the loose picture, sadly the suits at the helm didn't see that as a viable money making exercise and had this cut to be a "12" friendly bums on theatre seats cash grabber. Shame on them.

What we get is a run of the mill creature feature that although once viewed does not leave a lasting impression (was anyone really hoping for that anyway?), but is kind of fun in that time filling sort of way. It runs through the modern day creature feature playbook 101. So off we go with the hero having a troubled backstory, a money made funder out of his depth, ladies with life quandaries, a man who can't swim working in the middle of the ocean! and on we go. Throw in some quite awfully scripted dialogue and it's cheese sarnie time.

Statham is nearly always a good watch - in the muscle bound action hero kind of way - though you see the cracks between what the film was meant to be and what it ended up as. For you see that The Stath comes off as taking it all too seriously, which in this released cut is ridiculous. He's surrounded by no mark actors, though no short supply of beauty (Bingbing Li socko gorgeous/Ruby Rose hard sexy) and the narrative feeds us all the pointers of exactly where this will end up. There's a couple of nifty fun homages to Jaws, some decent suspense scenes, and the cinematography (Tom Stern) is pin sharp and pleasurable.

Best bet to enjoy this is to know it's a "12" rated friendly piece, to understand it has ultimately ended up as a same old same old monster movie. It's a million miles away from the class of Jaws, and lacks the tongue in cheek knowing of Deep Blue Sea, but it fills a gap in that undemanding time wasting way. 5/10
It's nice to see a Shark-led Creature Feature that's actually got some money behind it, but _The Meg_ is still really nothing special.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

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