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Title : Alien: Covenant
Alien: Covenant genre : Horror, Science Fiction, Mystery
Alien: Covenant crew : Dariusz Wolski, Ridley Scott, Ridley Scott, David Giler, John Logan, Janty Yates, Pietro Scalia, Walter Hill, Dan O'Bannon, Ronald Shusett
Alien: Covenant release date : 12 July 19 2 2
Alien: Covenant runtime : 122 Minutes
Alien: Covenant Crew : Dariusz Wolski, Ridley Scott, Ridley Scott, David Giler, John Logan, Janty Yates, Pietro Scalia, Walter Hill, Dan O'Bannon, Ronald Shusett
Alien: Covenant cast :
Michael Fassbender, Katherine Waterston, Billy Crudup, Danny McBride, Demián Bichir, Carmen Ejogo, Jussie Smollett, Callie Hernandez, Amy Seimetz, Nathaniel Dean
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Bound for a remote planet on the far side of the galaxy, the crew of the colony ship 'Covenant' discovers what is thought to be an uncharted paradise, but is actually a dark, dangerous world—which has a sole inhabitant: the 'synthetic', David, survivor of the doomed Prometheus expedition. Alien: Covenant 2017 review : "At times a thrilling, stomach-churning journey, but one that leaves those on board wondering if the disorientation and down time was worth the investment..."

Read the full review here: http://screen-space.squarespace.com/reviews/2017/5/8/alien-covenant.html
Alien Covenant marks the third Alien movie directed by Ridley Scott and the second prequel to the franchise after Prometheus. They also seem to be getting worse with age.

Prometheus was really a lot of questions searching for answers, ambitious in asking not only about the creation of alien life, but human life as well. However the plan to stretch out these topics into 3 or 4 movies should be met with some skepticism.

Especially considering the basis for this was started by Damon Lindeloff, the creator of Lost and the man most of us are still waiting for answers for most of the things that happened on Lost.

He of course has abandoned this second movie, leaving it in the hands of the far more capable John Logan, but even he struggles to find meaning here, or escape the clichés that have started to grow like a Xenomorph in John Hurt's stomach.

We're dealing with a whole new crew this time; the Covenant. They are headed on a colonial mission to another planet before an electric shock takes out the ship, the Captain, and 47 other members.

Reluctant to get back into their pods for a 7 year journey, the on board crew responsible for the ship's upkeep decide instead to answer a distress transmission coming from another planet.

That's where they find what continues to be the best character in these prequels; Michael Fassbender's David the Android. His motivations and whether he considers himself human or God is constantly in question and Fassbender's soft-spoken performance continues to haunt.

I also really do consider Prometheus to be one of the most gorgeous-looking special films of the last decade and this continues that- from the Covenant ship to the grain fields and other vegetation eerily covering the mostly desolate other terrain of the planet.

We also get the first look at the Neo-morph, who is born the same way, seems a bit faster than the Xeno-morph but the main differences are it doesn't have the Venus fly trap tongue and it can stand like a human. Pretty cool.

Just it's at this point I should probably say that after Aliens there started to be less reason to want these. Alien 3 was fine, Prometheus I thought could really go either way depending on the sequels, and Alien 4 of course was garbage.

The biggest problem here is that it feels so redundant. We get a distress call, the crew investigates, some background characters do stupid things leading to impregnation, someone says "we never should have come", final alien chase.

The aliens, when you can see them, are cool, but there is a lot of downtime between them, and a few quality kills does not a 200 million dollar mega blockbuster make.

It's also really odd that Prometheus does this whole thing of setting up the engineers as the creators of human beings but here they only get one scene and let's just say those looking for more info about them will get angry.

The promise of some larger conversation is in here somewhere but these movies feel so stretched out at this point that when this does get to the few moments of actually having something to say, it's hard to get re-engaged.

The characters don't help either as most just come off like archetypes. Katherine Waterston is the Captain's widow and really the bargain basement Ellen Ripley here.

Billy Crudup plays the faith-based character, and like the last movie, this movie seems to be including that without ever really giving it value in the meaning of life conversation.

But at least those two have some background. I'm so tired of most of these others. The ones who just go tramping through the woods of an unknown planet or show the decision making skills of the Trump administration. You're not supposed to make us root for the alien, guys.

Finally i'm no closer to understanding why these movies are necessary. It's easy to tell what this movie wants to do and it's even easier to see the twist coming a half hour before it even comes.

There are a few nice kills here, I will give the movie that. If you can remember to wake yourself every time Fassbender and Fassbender (he also plays an android named Walter) have a philosophy conversation, you might find some interesting stuff there too. But overall not enough action or thought to make this overly drawn out series seem necessary.

So I go 5/10. For more reviews, check me out on Youtube here- https://www.youtube.com/channel/UCY_IvAm1bJADConJhDCuq6A








I had a few reservations going in to _Alien: Covenant_. In my opinion there hasn't been a truly great entry to the franchise since _Aliens_, so I was worried that the statistics were against it. I thought _Prometheus_ was incredible from a technical standpoint, but not a very engaging movie, and I was worried we might get the same here. The trailers had been mostly good but I was worried I had seen too much of the third act in them, and I was worried this would spoil the experience for me a little.

What I was not worried about was within ten minutes of the damn thing starting I would think to myself: "Wow, this movie is really poorly made."

Well I guess I'm an idiot because that is exactly what happened. And that feeling never entirely abated over the course of the whole thing.

Don't get me wrong, it's no "_AVP: Requiem_", but I was still very disappointed.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**Limps along under the weight of its own importance.**

I love my films dripping with self importance and this one is definitely one of them. I can't get enough of these films that positively bubble over with a high handed, serious and arrogant attitude that indicates that there is no film quite as important as this one.


This film knows it all. It knows everything that we- the lowly, pathetic and simple minded audience do not know and could not ever possibly know because we are not intelligent enough to grasp anything, you see?

For such an authoritative, superior and intelligent film - I find it odd that every character stumbles around like a simple minded cretin making unwise decision after unwise decision.


Ridley and his scriptwriters seem to think that they are intellectuals but somehow they just _can't pull off_ the role of **being** an intellectual.

- Simon Quinlank
I agree with most of the negative comments about this movie.It is a gigantic missed opportunity.My biggest issue apart from the utter predictability and nonsensical,inept script,was the disappointment of seeing 'Prometheus' mixed up with 'Alien'
Alien covenant gets locked up in its own self importance while forgetting why we loved 'Alien' in the first place.I really wanted to like it but came a way with a huge sense of disappointment
Not sure about all the bad reviews, I enjoyed the movie. I'm guessing because I wasn't expecting it to be particularly cerebral. Its a sci-fi/horror flick, I was looking forward to Sir Ridley Scott coming up with new and disgusting ways to terrorize the cast and I wasn't disappointed. Of course, the android going rogue was pretty obvious, but if the Star Wars franchise can feature a planet destroying space station in 3 of 7 movies, I'll give Sir Ridley a pass. If you are looking for the loose ends from Prometheus to be tied up, I suggest you include Sir Ridley in your prayers so he can survive long enough (the man is friggin 80) to film the prequel to _Covenant_ currently titled _Awakening_ that will hopefully meet your expectations.
Watched Alien: Covenant a 3rd time. It is a lot better than first meets the eye. The drastic difference from what we were expecting in direction from Prometheus threw all of us off. We had expectations of what we would get to see and we didn't get those. There is so much detail and such good acting. It takes multiple watches to pick up on it all. It blends the styles of Alien, Aliens, and Prometheus all together and does it very well. There is also a lot of subtle reference to Terminator 2. The dynamic between the androids Walter and David and the acting that went into that is something quite special. In that alone is a reference to T:2. My first 2 watches I didn't appreciate the android Walter like the character deserves. I was biased against his character in light of the android David. The android Walter and how he was portrayed also blends the style of android we see in Aliens. The actor's voice and demeanor reflect that of the android Bishop and gives us a bridge to his design. Michael Fassbender really did one hell of a job acting those two parts of Walter and David. Near the end of the movie there is another nod to T:2 as a beam is clearly marked as such and the scene that follows has a strong T:2/Aliens sequence and taste in styling to it. Through and through the acting is very good. Details are abound everywhere. There are a few points of rather convenient plots however overall the film is now among my favorites right along side Aliens and T:2.
Even the monkeys stood upright at some point.

Hee! Ridley Scott, it seems, is damned if he does and damned if he doesn't as regards the Alien franchise he so gloriously kick-started back in 1979. Prometheus was too cerebral for many and definitely bogged down by expectation levels. Not without flaws of course, but a very tidy science fiction piece it be. So we roll on to Alien Covenant, which while not universally reviled, has certainly garnered some fearful scorn in Alien franchise fan circles.

Alien Covenant is a cover version, no two ways about it, it's a retread of what was showcased in 1979, only with the tie-in to Prometheus and a continuation to the origins of Xenomorph and pals. Clearly we have a case of Scott making one for the fans, a return to chest busting goo and space adventurers under great duress, all of course while he fills in the blanks as well. For sure it's lazy when put up against Alien, and indeed against his other superlative sci- fi offerings such as Blade Runner and The Martian, but for those who lambasted Prometheus for its non Alien conventions, you have now got what you hankered for. Any expectation of this turning out to be a fresh masterpiece was always going to be crushed, so really it's best viewed as a loving retread. Yes! Bad science, plot and logic holes, average acting etc, these rightly don't deserve forgiveness, but it's hardly the devil's spawn here, in fact its's great fun as much as being a visual treat.

Log cabin on the lake.

We start with a prologue involving Weyland and David, the conversation involving creation, the most pertinent of which being the question of the ages, where do we come from? Then after a tantalising tinkle of the ivories for Wagner's "The Entry Of The Gods Into Valhalla", we are whisked into outer space 2104 to be in the company of the Colonisation Vessel Covenant. Crew 15 - Colonists 2000 - Embryos 1140. The destination is ORIGAE - 6, ETA in 7 years and 4 months. Only Walter the Android (Michael Fassbender) is awake, until it's time for the crew to be abruptly awakened from their hyper sleep...

Crusoe and the pathogen.

From the off disaster strikes, thrusting the crew into emotional strife. Characters are introduced, conversations and traits establishing the bare minimum that we need to know, then a ghost transmission is received from Sector 87, planet number 4, and off we go into familiar territory. Things inevitably go from bad to worse and the action, blood flow and creature feature conventions are all laid out for our digestion. There's some surprises in store, with Fassbender a double bonus, and there's some striking chatter ranging from if there's benefits of the human race? and even that involving the poets Byron and Shelley.

Bed Bugs.

Who will survive? If anyone? Just what does the finale have in store? As we get devilish answers, and the barn storming aural pleasures of the full orchestral version of "The Entry Of The Gods Into Valhalla", it's tied up nicely and the pulse rate can settle. Job done. No bar raising here, no film to push the space lander out into new dimensions, just a good honest sci-fi thriller to be viewed with that in mind. 7/10
**Good robot! Bad robot!**

After some gaps, the 'Alien' franchise came alive with the prequel 'Prometheum' which originally said to be a spin-off. Particularly, it landed in the hands of the original maker. Now, even the original title back in action. It's another prequel, hence the prequel series on the making. The next film too will be the same kind, before the overall storyline in the franchise align in a straight line.

I enjoyed it. But not as good as 'Prometheum' or the first two 'Alien' films. The issue with it was, the same old cliché. There's nothing in the story. It was like any space film that's set in a similar fashion. The 80 per cent of the film was what we had seen in the earlier 'Alien' films. Just altered scenes with a new cast and a great visuals. So the update makes it the special.

The story focused too much on the robot. The alien parts were reduced. Because it was like the first appearance of the original aliens we saw in the old films. Precisely to say, the origins. Genetic modification, crossbreeding, there comes the beast. From this film what I have learnt was, it was nothing but more or less the same old fear the humans have about that the robots which are the ones going to make humans go extinct. Except here the aliens come between them. Hence, falling prey to the same clichéd theme from any sci-fi that had humanoid.

Nevertheless, well maintained film in its balance coming from previous hits in the series and going forward to bring more hits. This flick would serve as a fine bridge between them. So only 18 years to go between this, from 2104 to 2122. I'm already anticipating the next film. As I have heard, that film would be focused more on the robot. That's going to be a different experience. Fassbender's time to have some space adventures.

_7/10_
I paid to see the movie, just to see what all the hype was about. It's a mess, of course, from David going Nazi and practicing genocide, to the mindless violence of "an earthworm impaled on a hook to catch fish," to space idiots/children who aren't smart enough to be hall monitors.
I had wondered why some folk considered the first three "Alien" movies Canon and NOT the current set.
I'm with the "three and done" crowd, this movie is a Hollyweird popcorm flick.
"Do not watch this movie. God complexes and stupidity abound. Stay away if you value your peace of mind." (Repeating acoustic beacon)
Though Michael Fassbender did a sublime job and the movie itself was visually immersive, the actions of the main characters did not seem very smart. I could forgive the decision that the newly installed captain Oram (Billy Crudup) took about going to the unknown planet. But everything that happened after David cut his hair exactly the same way Walter head just makes you shake your head in amusement and think ‘Oh, come on!’.
David, obsessed with the act of creation that had value in its end, uses any means available. It is remarkable that no one from the remaining crew has questioned imposter Walters’s identity and just carried on like the worst was left behind. Meanwhile, the last scene when Daniels (Katherine Waterston) realizes (finally!) that Walter is, in fact, David and she had totally screwed up with the thousands of colonizers and embryos on the ship… does give you slight goosebumps.
I would hate to be in the shoes of a filmmaker that needs to please a rabid fan base. The "Star Wars" sequels are a perfect example of this. Ridley Scott has the same challenge with the "Alien" prequels which you see in user scores.

I loved "Prometheus" with its attempt at something bigger than just more face huggers and xenomorphs wreaking havoc. It was clear he was building a grander story to the eventual bridge to the original "Alien."

He continues that bigger story with "Alien: Covenant" and whether he meant to provide fan service or not, we get that with face huggers and xenomorphs. (No spoiler as both are in the trailers.)

Do yourself a favor and watch the short clip "Last Supper" (youtu.be/EkXgRlRao5I ) before you watch the movie. At only five minutes, it gives a better introduction of the Covenant crew than the movie does providing deeper emotional investment in these characters.

Ultimately "Alien Covenant" delivers an excellent, fast-paced sci-fi action horror thriller (yes, it hits that many genres) like only Ridley Scott can that continues exploring the "Prometheus" theme of creation.

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Maze Runner: The Scorch Trials the movie showtimes complete online streaming 2015 4k Maze Runner: The Scorch Trials song, Watch Maze Runner: The Scorch Trials full movie online now.Thomas and his fellow Gladers face their greatest challenge yet: searching for clues about the mysterious and powerful organization known as WCKD. Their journey takes them to the Scorch, a desolate landscape filled with unimaginable obstacles. Teaming up with resistance fighters, the Gladers take on WCKD’s vastly superior forces and uncover its shocking plans for them all.,what are Maze Runner: The Scorch Trials movies in order Maze Runner: The Scorch Trials synopsis full movie Maze Runner: The Scorch Trials 2015 HD Movies, Full Length Movie
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Title : Maze Runner: The Scorch Trials
Maze Runner: The Scorch Trials genre : Science Fiction, Action, Thriller
Maze Runner: The Scorch Trials crew : Denise Chamian, Sanja Milkovic Hays, Wyck Godfrey, Dan Zimmerman, Jeff Carson, Ron Bartlett, Daniel T. Dorrance, Marty Bowen, Gyula Pados, Andrew Max Cahn
Maze Runner: The Scorch Trials release date : 14 August 19 0 5
Maze Runner: The Scorch Trials runtime : 132 Minutes
Maze Runner: The Scorch Trials Crew : Denise Chamian, Sanja Milkovic Hays, Wyck Godfrey, Dan Zimmerman, Jeff Carson, Ron Bartlett, Daniel T. Dorrance, Marty Bowen, Gyula Pados, Andrew Max Cahn
Maze Runner: The Scorch Trials movie cast :
Dylan O'Brien, Ki Hong Lee, Kaya Scodelario, Thomas Brodie-Sangster, Dexter Darden, Alexander Flores, Jacob Lofland, Rosa Salazar, Giancarlo Esposito, Patricia Clarkson
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Thomas and his fellow Gladers face their greatest challenge yet: searching for clues about the mysterious and powerful organization known as WCKD. Their journey takes them to the Scorch, a desolate landscape filled with unimaginable obstacles. Teaming up with resistance fighters, the Gladers take on WCKD’s vastly superior forces and uncover its shocking plans for them all. Maze Runner: The Scorch Trials 2015 review : It is quite an automatic instinct to compare and contrast the first installment of 2014’s ‘The Maze Runner’ with the arrival of the latest entry in director Wes Ball’s distant dystopian drama ‘Maze Runner: Scorch Trials’. The original blueprint effectively captured a unique time and place of mystique and other morbid curiosities. The audience was craftily introduced to The Glade, a head-scratching venue out in the middle of nowhere while being surrounded by a massive maze that pretty much rendered its survivors in vulnerability and uncertainty. Well, ‘Maze Runner: Scorch Trials’ looks to revisit that same kind of mystifying aura where our young and daring protagonists face the surreal obstacles in a futuristic facility that begs for the same kind of grandiose ambivalence. Sadly, ‘Scorch Trials’ is a derivative follow-up shadow of its former pronounced presentation. This formulaic fantasy fails to provide any distinctive punch or promise to its more competent predecessor.

As a post-apocalyptic Young Adult-oriented narrative ‘Maze Runner: Scorch Trials’ never really invests in its adventurous characterizations that seem to blankly react to the jittery surroundings without any genuine conviction. It certainly is not advisable to saddle a pack of imperiled individuals in a cocoon of dream-like devastation and not have them equally match the imaginative SF sensibilities of their enthralling, enveloped universe. One can speculate as to whether ‘Maze Runner: Scorch Trials’ does any justice to the James Dashner epic-driven YA novels or not. Still, there should be a sense of excitable freshness and intrigue to this eye-opening film project that comes off strangely as remote and mechanical despite the whimsical feel to its wasteland of wonderment.

Sure, some will be partially engaged in the exploits of our young harried heroes bouncing from post to post in a desolate desert known as the Scorch where unpredictable encounters with undesirable creatures and the regional elements are recounted with Ball’s simplistic by-the-dots direction. There will be your predictable share of over-the-top villains, outlandish yet awestruck special effects imagery and a centerpiece for youth-oriented romancing among the ruins. However, ‘Maze Runner: Scorch Trials’ should do a better job in whisking its viewers away in a bells-and-whistles story that should be convincingly subversive and challenging.

Back in the Maze mold madness is Glade stud Thomas (Dylan O’Brien) and his band of fellow wanderers in Theresa (Kaya Scodelario), Minho (Ki Hong Lee), Newt (Thomas Brodie-Sangster), and Frypan (Dexter Darden). The group had learned that their ‘a-MAZE-ing’ (sorry…could not resist) past experiences had been at the devilish hands of the evil paramilitary outfit known as WCKD (as in the pronounced word ‘wicked’). The head honcho of the aforementioned WCKD is none other than diabolical diva Dr. Ava Paige (Patricia Clarkson). So now Thomas and his endangered entourage (along with a few more disposable tag-a-longs) are forced to roam in the treacherous Scorch where the ominous run-ins with the resident beastly zombie Cranks are inevitable.

Of course, there are other factors working against Thomas and his Gladers. First, they must constantly hunt for their safety guaranteed in the arms of the resistance faction called The Right Hand based in mountainous terrain. Secondly, there is also the matter of an outbreak known as the Solar Flare virus that is running amok and the cure is to draw blood from those that are immune. The underhanded Janson (Aiden Gillen, from television’s ‘Game Of Thrones’) heads up the laboratory where the shifty agenda for collecting pure blood from unsuspecting hosts is hatched. So the dilemma is presented as such: should Thomas and his put-upon colleagues be the sacrificial lambs in an experimentation that could benefit the numerous lives of their exposed society?

The problem, among others, is that ‘Maze Runner: Scorch Trials’ never seems to distinguish itself among the crop of other YA-related feature films that seem collectively familiar in theme and tone. The long line of impish and impulsive fare that includes ‘The Hunger Games’ film franchise and ‘Divergent’ movie series has already saturated the movie market to the point of no return. Unfortunately, this leaves little room for error for derivative knock-off films such as ‘Maze Runner: Scorch Trials’ to not only echo the same kind of entertainment value but be considered a few notches off the scale in doing so.

T.S. Nowlin’s screenplay is shockingly synthetic and that is inexcusable for an escapist SF flick using Dashner’s colourful and descriptive tomes as its inspirational source. A few of the interesting supporting characters come and go while registering some servicing interest such as the dashing duo Jorge and Brenda (Giancarlo Esposito and Rosa Salazar) that befriend the Gladers en route to their destination for comfort and calmness. Gillen’s Janson is serviceable as the slimy opportunist blood baiter. Otherwise, the main performers that make up this cosmetic caper bring little to uplift this pseudo calculating landscape of imagined isolation and desperation. Somehow, the charismatic presence of both O’Brien’s Thomas and Scodelario’s Theresa seem watered down from the first film.

For the second time around it is kind of a tough sell for ‘Scorch Trials’ to get the obligatory mouse to chase after the cheese in this particular misplaced maze.

Maze Runner: Scorch Trials (2015)

20th Century Fox

2 hrs. 11 mins.

Starring: Dylan O’Brien, Kaya Scodelario, Thomas Brodie-Sangster, Dexter Darden, Ki Hong Lee, Patricia Clarkson, Aidan Gillen, Giancarlo Esposito, Rosa Salazar, Lilli Taylor and Barry Pepper

Directed by: Wes Ball

MPAA Rating: PG-13

Genre: Sci-Fi Fantasy/Dystopian Drama/Young Adult Action & Suspense

Critic’s rating: ** stars (out of 4 stars)
> The adventure expands outside the maze to seek the answers.

Another teen movie in the mid series on the line of 'Divergent' and 'Hunger Games'. As an adult, I don't know what to expect from it, but entertainment was the priority. The first film was just an introduction that happened in a small and a single location like the film 'Cube'. Now it has outspread in a large extent with more new characters and takes a wider adventure in the wastelands.

Many doubts from the previous film were cleared, yet a few need to be clarified and hoping for the next one to do that job. But anyway the suspense was this franchise's specialty, that simply reminds us the TV series 'Lost'. This second part can be compared with plenty of other post apocalyptic films, but still I liked it better than the first.

The best thing was they retained the same director and he's going to be here for the next film as well. But I'm more interested in the prequel, I mean the fourth film than the third which brings an end to the story moving forward. Because the maze holds the key for many unresolved issues. So I'm anticipating the prequel trilogy than the current one to learn how it all began.

Surprisingly, many new additions like zombies, bounty hunters in the mainstream boosted the film with its variety. Gives us a creepy atmosphere, along thrilling running and chasing. The twist was not that great, but kind of unpredictable, and again due to the mysteries surrounding it, it created more curious about what might happen next.

6½/10
Let's get to the point. This is bad.

A dystopian future full of conspiracies in which we throw the typical ingredients thinking that, magically, would make a good movie: teenagers, zombies, a "Mad-Max"-like desert and a stupid story in which main characters and their enemies behave stupidly at every step.

Quite a forgettable one ...
I believe the adage is meant to go "Ask me no questions and I tell you no lies". _Scorch Trials_ however seemed to be trialling the new "I pose you 500 questions, I tell you no answers". But there's still some interesting things to find the further the movie goes on. It lacks the cohesion of the first movie, for sure, but there's more going on, so that tracks.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

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Zombi Child release date : 19 February 19 7 9
Zombi Child runtime : 103 Minutes
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Haiti, 1962: A man is brought back from the dead only to be sent to the living hell of the sugarcane fields. In Paris, 55 years later, at the prestigious Légion d’honneur boarding school, a Haitian girl confesses an old family secret to a group of new friends - never imagining that this strange tale will convince a heartbroken classmate to do the unthinkable. Zombi Child 2019 review :

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Title : Maze Runner: The Death Cure
Maze Runner: The Death Cure genre : Science Fiction, Action
Maze Runner: The Death Cure crew : Denise Chamian, Sanja Milkovic Hays, Wyck Godfrey, Dan Zimmerman, Lorenzo Di Bonaventura, John Ottman, Michael Diner, Jeff Carson, Hugo Santiago, Daniel T. Dorrance
Maze Runner: The Death Cure release date : 29 November 19 3 3
Maze Runner: The Death Cure runtime : 144 Minutes
Maze Runner: The Death Cure Crew : Denise Chamian, Sanja Milkovic Hays, Wyck Godfrey, Dan Zimmerman, Lorenzo Di Bonaventura, John Ottman, Michael Diner, Jeff Carson, Hugo Santiago, Daniel T. Dorrance
Maze Runner: The Death Cure movie cast :
Dylan O'Brien, Kaya Scodelario, Thomas Brodie-Sangster, Ki Hong Lee, Rosa Salazar, Giancarlo Esposito, Will Poulter, Jacob Lofland, Patricia Clarkson, Aidan Gillen
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Thomas leads his group of escaped Gladers on their final and most dangerous mission yet. To save their friends, they must break into the legendary Last City, a WCKD-controlled labyrinth that may turn out to be the deadliest maze of all. Anyone who makes it out alive will get answers to the questions the Gladers have been asking since they first arrived in the maze. Maze Runner: The Death Cure 2018 review : Good movie!
Thank you very much for not splitting this movie into two parts. As a member of _The Death Cure's_ audience I do genuinely appreciate that.

I am less appreciative however of the movie itself. It doesn't at all pay off the confusion I suffered at the hands of the franchise. My opinion on the _Maze Runner_ series has been mixed, but I feel certain that this one is the worst, and not only that, but it kind of retroactively made me appreciate the first two less.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._

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Title : Pirates of the Caribbean: The Curse of the Black Pearl
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Pirates of the Caribbean: The Curse of the Black Pearl crew : Arthur Schmidt, Dariusz Wolski, Klaus Badelt, Gore Verbinski, Jerry Bruckheimer, Ted Elliott, Ted Elliott, Terry Rossio, Terry Rossio, Stuart Beattie
Pirates of the Caribbean: The Curse of the Black Pearl release date : 22 September 19 4 4
Pirates of the Caribbean: The Curse of the Black Pearl runtime : 143 Minutes
Pirates of the Caribbean: The Curse of the Black Pearl Crew : Arthur Schmidt, Dariusz Wolski, Klaus Badelt, Gore Verbinski, Jerry Bruckheimer, Ted Elliott, Ted Elliott, Terry Rossio, Terry Rossio, Stuart Beattie
Pirates of the Caribbean: The Curse of the Black Pearl cast :
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Soul crew : Trent Reznor, Bobby Podesta, Steve Pilcher, Pete Docter, Pete Docter, Pete Docter, Atticus Ross, Dan Scanlon, Michael Yates, Jon Batiste
Soul release date : 22 May 19 6 5
Soul runtime : 102 Minutes
Soul Crew : Trent Reznor, Bobby Podesta, Steve Pilcher, Pete Docter, Pete Docter, Pete Docter, Atticus Ross, Dan Scanlon, Michael Yates, Jon Batiste
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Joe Gardner is a middle school teacher with a love for jazz music. After a successful gig at the Half Note Club, he suddenly gets into an accident that separates his soul from his body and is transported to the You Seminar, a center in which souls develop and gain passions before being transported to a newborn child. Joe must enlist help from the other souls-in-training, like 22, a soul who has spent eons in the You Seminar, in order to get back to Earth. Soul 2020 review : If you enjoy reading my Spoiler-Free reviews, please follow my blog @
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Out of my Top15: Most Anticipated Movies of 2020, eight were removed from this year's schedule due to the current global pandemic, so I didn't have that many films for which I felt incredibly excited. I love pretty much everything that Pixar puts out, and at the start of 2020, I noticed that the studio was releasing not one but two original animated movies, something quite uncommon in their history (only happened in 2015 and 2017). Onward was yet another success, but everyone knew Soul was the studio's big gun. December release date means better chances to win an Oscar, and the highly anticipated return of Pete Docter (Monsters Inc., Up, Inside Out) to the director and writer's chairs also elevates the film's expectations.

I'm no different. My expectations were high as the sky, but the main question in my mind wasn't really if Soul was going to be a great movie, but if it would be so good I'd love it more than Wolfwalkers, my favorite animated flick of the year so far? Well, let me write that it's a wonderful, beautiful, heartwarming tie. I love them both very much, and I wouldn't be surprised if I saw them in my Top10. However, this is Soul's spotlight, so let me get to it, and spit out the only minor issue I have with the film. During the first act, I couldn't feel a connection to the story nor the characters. It took me a while to really get fully invested in the narrative, and even technical aspects such as the animation style and the score (Trent Reznor, Atticus Ross) felt weirdly out-of-place and surprisingly not that enthralling.

Nevertheless, this slow, unconvincing beginning doesn't negatively impact the movie overall, as most of these apparently awkward components improve as time goes by. From the moment it clicked with me, I went on that emotional rollercoaster I always expect to ride in a Pixar feature. The studio is known for its extremely heartfelt, shocking, tear-inducing third acts, and even though Soul isn't an exception to that rule, it's far from being one of those mind-blowing, jaw-dropping, devastating final minutes. Its third act is astonishingly emotional, and it sends a lovely message to the audience, one that made me reflect on the entire year and a specific moment in my life.

Pete Docter, Mike Jones, and Kemp Powers explore the taboo subject of life's meaning in a predictable yet profound and entertaining manner. The approach on philosophical questions like "what's my purpose?", "what's my spark?", or "what does it mean to have a soul?" is cleverly developed and very well-written. There's a sequence with the protagonist near the end that will make tons of viewers experience it simultaneously. I found myself rewatching this scene in particular to help me remember a certain period in my life where I realized that what I thought was my destiny was, in fact, just one of those life passions that leave us with unforgettable memories.

I was able to deal with that moment pretty well, but many people lose themselves once they figure out that what they thought they were meant to do/be isn't really what the future holds for them. They become lost souls, and only a spark of life can revitalize them. Soul explores this matter in such an authentic, genuine, creative way that I couldn't help but cry as I do in every Pixar film. Watching Soul will make you appreciate life a lot more, especially those tiny, little moments that we forget to remember. Living, with all its horrible phases, is the best life experience anyone can have. After a year of isolation and separation from the people we love, this movie arrives at the perfect time.

Technically, the animation style and score didn't convince me in the first few minutes, but by the end, they're part of the key aspects that made me cry like a baby. Trent Reznor and Atticus Ross are starting to become two of my favorite composers (The Social Network, Gone Girl, Mank). Pete Docter proves that his undeniable talent behind the screen remains intact, and this time, he introduces Hollywood to the debutants Kemp Powers and Mike Jones. Jamie Foxx and Tina Fey (22) deliver some terrific voice work, so expect them to receive dozens of nominations. Finally, congratulations to every single artist that worked on this film's animation. These gifted people are the real stars of Pixar.

All in all, Soul is everything I expected it to be. A classic Pixar feature, with the trademark emotionally powerful third act; a heartwarming, sweet, tear-inducing score; and a relatable, profound, well-explored story about our own soul and the meaning of life. Pete Docter delivers another award-worthy flick with the help of Kemp Powers and Mike Jones, and with the outstanding voices of Jamie Foxx and Tina Fey. It may start slow and follow a predictable path, but it's only a matter of time until every viewer connects with the main characters. Soul surpasses the barriers of cinema, becoming a healing media from which people can take away so, so much. It works seamlessly as a reflection on life, and as a motivation to truly live every single moment of it. It's the ideal movie to watch on the morning of Christmas Day with the entire family cozy and warm in the living room. I promise you: it will make you enjoy this festive season a lot more. Undoubtedly, one of the best films of the year.

Rating: A
This is my favorite Disney Pixar movie, even beating Monster's Inc!

There wasn't a minute where I wasn't enjoying the movie, there's very powerful meaning to this movie (that will go over kids' heads) and for once, it (in my opinion) tackles an issue big with teens and adults more than kids (at least more than usually).

The movie's message is (from what I understood it anyway) about anxiety, sadness, and fear of how you choose your life path. Even going as far as showing how you're so-called purpose in life may not even be correct (or real to begin with).

This is by the creators of Inside Out, which gave really good messages across about feelings. It was more kid-oriented, so Soul (in my opinion) being more about teens or adults was a surprise that I did not expect. I'm not saying this isn't a kids movie, I'm saying you shouldn't avoid it if you're not a kid.

It probably helps this movie that it's got it's messages across with Music as an instrument (get it?), as I too love music heavily including all kinds of genres (seriously, if you saw my YouTube music history you would think I'm somewhere between a 5-year-old girl, to a 101-year-old Beatles fan).

I seriously recommend giving this one a watch.
In a year where most of us have been trapped indoors, the timing of 'Soul's' release can be seen as either a blessing or a curse. For some, it will act as a calming balm for a tough year; the perfect vehicle for inducing a good cry. Others, on the other hand, may reject it as yet another unnecessary mirror held up to their biggest fears exacerbated by a year where living with perceived “purpose“ has been near impossible. No matter which side of this you fall on, 'Soul' implores you to find beauty and gratitude in your circumstances. There is no doubt that is by far the best film Pixar has released in years - possibly even this decade.
- Ashley Teresa

Read Ashley's full article...
https://www.maketheswitch.com.au/article/review-soul-pixars-finest-work-in-years
Soul is the latest effort by Disney Pixar, a beautiful and wonderful film that will leave anyone to ponder about life, its value and the magic inherent in existence.

The film tells the story of a man who accidentally falls into a ditch and "dies". However, he does not accept his death and begins a journey into his own afterlife until he is able to reunite with his body, in a coma on earth.

For a children's film, Soul is surprisingly deep, perhaps even too deep, especially for a child. The film touches on various existential themes, from purpose to the meaning of life, and will make us lose ourselves in thoughts about our own life.

The characters are a marvel, especially the protagonists, because they are complete with complex layers that give us all kinds of feelings. The voices that bring them to life do an excellent job in making all the emotions that pass through them appear.

When it comes to animation, once again Pixar exceeds itself and brings us a film that is a living work of art, each frame a beautiful picture of colours and movement that extends for two hours. It's really magical to see life on the small screen, the realism in some of the scenes will leave the audience really amazed.

The smaller ones, however, may not understand the complexity of the film, and I don't feel that this is exactly the most entertaining film that will make them pay attention in 100% of the scenes, much due to the fact that it is not necessarily as energetic as many of the most watched animated films in recent years. It is, however, a valuable lesson that is present in the film, and letting children try to understand it will be the right choice to make when viewing Soul.

All in all, this effort by Pixar is worthwhile, wonderful, beautiful and moving. The truth is, I found myself reevaluating my whole life and pondering the fact that time is money, because time is life.
Really good watch, would watch again, and can recommend.

I'll have to admit, I went into this thinking it would be Disney's yearly racist progressive attempt, so the bar was pretty low.

The movie is actually delightful, and shockingly deep. The title indicates it has to do with the human soul, so I was expecting something along the lines of "Inside" or having to do with jazz, and while it has a rather nice combination of those two things, the attempt on the deep inner workings of the universe in the "inbetween" is incredible.

I imagine everyone will have their own interpretations of what the movie represents mechanically, but the story itself focuses on the pursuit of dreams and happiness combined with the experience of life.

The movie animation is fantastic and the voice actors are all top shelf. The story is awesome, and the characters are strong, deep, and interesting. I find it hard to believe that anyone would actually not like the movie.

The structure is a little basic for something so fantastical, but I think that's by design to keep appeal to most audiences that expect a general family Disney format.
Pleasant film.

'Soul' didn't connect with me on any deep level, but it is an undoubtedly sweet film. It attempts a lot of heart and I respect that. Jamie Foxx has been in some of my favourite films and he is good as Joe here. I also like the casting of Graham Norton as Moonwind.

One thing that probably stopped me thoroughly enjoying this is the animation and character design, particularly when in the "Great Beyond". It's not that it looks bad, or anything close, but I just found it a bit too plain. I never felt attached to any of the characters or settings there. I did, though, enjoy the sounds and music, especially in the aforementioned afterlife area. They do do that nicely.

It's definitely a good film and one with a nice and honourable message, I just needed that something extra to enjoy it more personally.

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Love, Simon the movie 2018 showtimes online hd Love, Simon song, Watch Love, Simon full movie online now.Everyone deserves a great love story. But for seventeen-year old Simon Spier it's a little more complicated: he's yet to tell his family or friends he's gay and he doesn't know the identity of the anonymous classmate he's fallen for online.,what are Love, Simon movies in order Love, Simon synopsis full movie Love, Simon 2018 HD Movies, Full Length Movie
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Title : Love, Simon
Love, Simon genre : Comedy, Drama, Romance
Love, Simon crew : Denise Chamian, Wyck Godfrey, Marty Bowen, Timothy M. Bourne, Greg Berlanti, John Guleserian, Rob Simonsen, Isaac Aptaker, Elizabeth Berger, Pouya Shahbazian
Love, Simon release date : 11 December 19 2 3
Love, Simon runtime : 110 Minutes
Love, Simon Crew : Denise Chamian, Wyck Godfrey, Marty Bowen, Timothy M. Bourne, Greg Berlanti, John Guleserian, Rob Simonsen, Isaac Aptaker, Elizabeth Berger, Pouya Shahbazian
Love, Simon movie cast :
Nick Robinson, Jennifer Garner, Josh Duhamel, Katherine Langford, Alexandra Shipp, Logan Miller, Keiynan Lonsdale, Jorge Lendeborg Jr., Talitha Bateman, Tony Hale
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Love, Simon where to watch full movie hd online download 2018 putlocker Love, Simon 2018 | Stream HD Movies Love, Simon 2018 Watch Full Movie on Movies123, Love, Simon 2018 watch online in HD on Movies123! Here you can watch a great many movie streaming Movies online! ✔ No downloading ✔ No Ads ✔ Only instant streaming Love, Simon budget $17,000,000


Everyone deserves a great love story. But for seventeen-year old Simon Spier it's a little more complicated: he's yet to tell his family or friends he's gay and he doesn't know the identity of the anonymous classmate he's fallen for online. Love, Simon 2018 review : Love, Simon is a safe, non-threatening, formulaic, consumable pastiche created to make straight audiences feel progressive for watching a "gay" movie.
Some very powerful moments. Some very relatable moments. But it's also nice to see a queer drama which (despite a character's homosexuality being the core of the narrative) isn't wholly fucking depressing.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._

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